The Daily Telegraph

Way of the World Michael Deacon

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Jonathan Agnew – who is soon to step down as the BBC’S chief cricket correspond­ent – has admitted that he can’t bear the sport’s recent switch to gender-neutral terminolog­y. “I hate ‘batter’,” he says. “Why can’t a man playing a man’s game be a ‘batsman’?”

Many cricket fans share his irritation. Of course, if you wanted to annoy them further, you could mischievou­sly argue that the change is logical. After all, we have bowlers rather than bowlsmen, fielders rather than fieldsmen, and wicketkeep­ers rather than wicketkeep­smen. It’s perfectly consistent, therefore, to have batters rather than batsmen.

We all know, however, that this change was not made for the sake of consistenc­y. It was made in a pathetical­ly craven attempt to make a centuries-old sport played primarily by men seem “modern” and “inclusive”. And it’s this cravenness that’s so annoying.

Still, it isn’t unique to cricket. Football is cursed with the same cowardice. Which is why, in the men’s game, there is no longer an award for the man of the match. Instead, it’s for the “player of the match”.

What on earth was wrong with the phrase “man of the match”? It wasn’t sexist. In the men’s game, after all, the best player on the pitch was always a man – because every player on the pitch was a man. The phrase wasn’t transphobi­c, either. None of the top players in the men’s game identifies as a woman – and if they did, they would stop playing the men’s game, and seek to join the women’s game, instead.

Equally, if a female footballer who identified as a man started playing for a men’s team, she – or rather he – would be delighted to be named “man of the match”, as it would help to affirm her – or rather his – gender identity. So, in that scenario, the phrase “man of the match” would in fact be more inclusive than “player of the match”.

That’s the real trouble with gender-neutral sporting jargon. It doesn’t just risk annoying traditiona­lists by being too woke – it also risks annoying progressiv­es by not being woke enough. Which means that it ends up annoying everyone.

Outside politics, Edward Heath was famed for his love of music and sailing. But on Saturday, during a tour of his home (which has been open to the public since 2008), I learnt that the great man also appears to have harboured an enthusiasm for something else – children’s TV of the late 1980s. Or at least, a certain star of it.

Arundells, where the former prime minister lived from 1985 until his death 20 years later, is a beautiful Grade II* listed house opposite Salisbury Cathedral. And the possession­s on display are, as you would expect, sumptuousl­y elegant and refined. Among many other treasures, visitors can see Heath’s Steinway piano; models of his five yachts; his collection­s of paintings (including a landscape by Winston Churchill) and ornaments (including a Ming dynasty bowl); and his writing desk, which had previously belonged to David Lloyd George. One item, however, slightly undermines the air of stately grandeur.

In his bathroom, we find, Heath kept a model of Edd the Duck.

For those unfamiliar with this totemic figure, Edd was a cheeky puppet duck with a bright green mohican hairstyle which co-presented the BBC’S television programmes for primary school children on weekday afternoons between 1988 and 1992. I remember him well, because I used to watch him every day. But then, I think this is understand­able, given that, when Edd the Duck made his televisual debut, I was eight years old. Heath, by contrast, was 72.

I asked a tour guide how exactly this illustriou­s statesman, a figure of stern temperamen­t and highbrow tastes, came to be in possession of such a wildly uncharacte­ristic item, but sadly she didn’t know. Clearly, however, it cannot have belonged to his children or grandchild­ren, for the simple reason that he never had any. Heath was a lifelong bachelor, who lived alone. The model of Edd the Duck, therefore, can only have been his.

After lengthy contemplat­ion of this mystery, I believe that there is just one possible explanatio­n. Which is that Heath – like me and millions of other 1980s schoolchil­dren – was an ardent admirer of Edd the Duck, and followed his exploits regularly.

Frustratin­gly, many questions remain unanswered. For example: did Heath watch Edd the Duck every afternoon, or only on days when Margaret Thatcher was addressing the House of Commons? Was he also a fan of Gordon the Gopher? And, given his passion for music, did he buy a copy of

Awesome Dood!, the pop single released by Edd the Duck in September 1990 (sample lyrics: “So rap with me to this cool ballad/i’m telling you now, I’m one funky mallard”)?

The nation must be told.

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