The Guardian

Neolithic mines in Norfolk reopen to visitors

- Esther Addley

Nine metres below the grass level of an undulating Norfolk field, at the bottom of a very deep hole, Jennifer Wexler is talking about what makes this subterrane­an space particular­ly special.

“I’ve spent a lot of time crawling around [down here], and you can go into certain spaces where you see someone’s tool and think: someone just put that down 4,500 years ago, and it’s still here,” she says.

“You can literally see their marks on the wall, the tools they used, it’s a really unique experience. And that’s why for me, every time I go down, it’s completely magical.”

Wexler is the senior properties historian for Grime’s Graves, a remarkable prehistori­c site near Thetford where, for several centuries in the late neolithic period, people dug huge mineshafts deep into the Norfolk chalk, scratching with nothing more than deer antlers to reach seams of precious jet black flint.

More than 430 pits have been found, some up to 14 metres deep and 12 metres in diameter, though there may be as many as 600.

Almost uniquely among Neolithic sites in England, visitors have long been able to climb down a rickety ladder to the base of one of the mineshafts to explore the authentic late stone age site.

Now English Heritage, which looks after the site, has installed a new mineshaft entrance and considerab­ly safer and easier ladder, opening tomorrow, which aims to make the experience accessible to as many as possible over the age of seven.

Visitors are encouraged to roam over the deeply strange grassy landscape, pockmarked with the craters of backfilled mines and itself a site of special scientific interest.

The site is loosely contempora­ry with Stonehenge but the two attraction­s could scarcely be more different. Grime’s Graves has no large coach parks or flashy visitor centre; there isn’t even a tea shop.

Instead, driving up a bumpy lane reveals a tiny visitor centre and shop housed in what was once an archaeolog­ists’ hut, alongside which an informativ­e if modest new exhibition has been installed.

From ground level, at first glance, there is little to see except the countless huge craters in the grass. All the same, argues Dickon Whitewood, the curator of collection­s for the site, Grime’s Graves is just as impressive a site as its more famous contempora­ry.

To make tools, the people who constructe­d the site could easily have collected flint from the surface, he says; even undergroun­d, they dug past two more easily accessible seams of the stone to reach the deepest “floor stone” seam. The earliest pits, dated by the antlers used to scrape them out of the rock, were in the most inaccessib­le part of the site.

“These were sophistica­ted people that understood structural engineerin­g and geology and yet they started at the part of the minefield where it was hardest to get the flint they were looking for.

“So there is a sense that it is the conspicuou­s difficulty of getting the material that was important to them,” he says. “That’s why I think of Grime’s Graves as an inverted monument. At Stonehenge, everything’s above ground; here it’s all below ground. In terms of that feat of skill, engineerin­g, time effort, it’s just as impressive. It’s just all below our feet.”

The name Grime’s Graves derives from the Anglo-Saxon god Grim, or Woden/Odin, an associatio­n that predates the Norman conquest. It was first extensivel­y excavated in the mid-19th century.

With only a tiny proportion of the shafts having been explored, however, many questions remain.

Archaeolog­ists know the pits were being dug only in the summer months, for instance, but have not yet found any evidence of where the miners were living – or where they may have come from to do so.

“We feel quite separated from these people,” says Wexler, but when standing at the base of one of their mine shafts, “I want people to feel a connection to them and realise that these people are the same as us, they have the same brains as us, the same thoughts.

“It’s just that their world was different. And to get more of a sense of that world is really important.”

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 ?? PHOTOGRAPH: JOSHUA BRIGHT/ THE GUARDIAN ?? From left: the pockmarked landscape of Grime’s Graves; curator Dickon
Whitewood; the new entrance
PHOTOGRAPH: JOSHUA BRIGHT/ THE GUARDIAN From left: the pockmarked landscape of Grime’s Graves; curator Dickon Whitewood; the new entrance
 ?? ?? ▲ The new visitor centre is housed in what was once an archaeolog­ists’ hut
▲ The new visitor centre is housed in what was once an archaeolog­ists’ hut

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