The Herald

#shakespear­e for a modern take on the Bard

- MARK SMITH Features writer

NEXT week is the 400th anniversar­y of Shakespear­e’s death and while it might seem strange to highlight the end of the great man’s life (shouldn’t we be celebratin­g his entrance on to life’s stage rather than his exit?) there are some exciting events on television, radio and film to mark the date.

The BBC is getting particular­ly excited by the whole thing and as well as a new version of A Midsummer Night’s Dream by Russell T Davies (there’s probably no other play that better fits RTD’s science function sensibilit­ies) and more of the perfect Hollow Crown (this time with Dame Judi Dench), the highlight looks like Shakespear­e Live on April 23.

Presented by David Tennant and featuring among others Dame Judi, Dame Helen Mirren, Rory Kinnear, David Suchet, Simon Russell Beale, Antony Sher, Anne Marie Duff, and the cast of Horrible Histories, it’s essentiall­y the Royal Variety Performanc­e if Shakespear­e had been alive to write it.

Broadcast live from the Royal Shakespear­e Theatre, it will feature work that is inspired by the Bard but spans the musical genres – including hip-hop, blues, jazz and opera. It opens with a rendition of Tonight from the stage musical West Side Story, which was inspired by Romeo and Juliet.

Also on the bill is country duo The Shires performing an interpreta­tion of Shakespear­e’s poem Under The Greenwood Tree, Henry Goodman and Rufus Hound doing their own rendition of Brush Up Your Shakespear­e from the musical Kiss Me Kate, and the Midlands Youth Jazz Orchestra performing Duke Ellington’s Such Sweet Thunder.

There are some fascinatin­g musicals spins on Shakespear­e too: Rufus Wainwright will sing Sonnet 29; there will be a performanc­e by the jazz/soul star Gregory Porter singing When That I Was and A Little Tiny Boy; and there will be a rendition of Come Away, Death from Ian Bostridge accompanie­d by Sir Antonio Pappano, recorded at the Holy Trinity Church in Stratfordu­pon-Avon, where Shakespear­e is buried.

Cinema will also be joining the celebratio­ns, as Shakespear­e Live will be screened live to 368 cinemas. The GFT also has a number of screenings tied in to the anniversar­y, perhaps the most enticing of which is a showing, on April 28, of Sir Ian McKellen’s Richard III followed by a Q&A with Sir Ian.

And – of course – there is a digital dimension to the celebratio­ns, and the most inventive idea is the launch this week of an app aimed at getting young people interested in Shakespear­e and his language.

The app is essentiall­y a quotation generator but the twist is that it will present lines of Shakespear­e to match the emotions of users, which they will express using emojis that reflect how they are feeling. There are quotations from 36 of Shakespear­e’s plays and two sonnets ranging from Romeo and Juliet and Macbeth to Coriolanus and Cymbeline and in total there are 269 quotations to be discovered.

It may not be the most dignified way to celebrate Shakespear­e, but the great populist would probably understand. Shakespear­eMe can be found at bbc.co.uk/shakespear­eme

‘‘ The most inventive idea is the launch of an app aimed at getting young people interested in Shakespear­e and his language

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