The Herald

Knight plays a Blinder once again

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BBC 2, 9pm

BIRMINGHAM crime boss Tommy Shelby might just have bitten off more than he can chew as Steven Knight’s acclaimed saga Peaky Blinders returns for a fourth series. Cillian Murphy, who plays Tommy, said of the new action-packed run: “In the classic gangster arc, the last season was sort of all about the wealth, the house and all that material stuff. This season is sort of a return to the roots.”

At the end of the last series, set in 1924, we saw Tommy at what Knight has called the character’s “most nihilistic”.

Having ascended into high society from his humble beginnings in Small Heath, Tommy seemingly threw his own family under the proverbial bus of the law for the criminal acts he made in the effort to save his captured young son.

Every Shelby except Tommy was arrested at the leader’s luxurious countrysid­e manor after they defied the Russians in a jewel heist and blew up a train. Whether or not they have all wriggled out of the charges will become clear, as the new series begins a year later in December 1925.

Thomas Shelby OBE has now acquired unpreceden­ted legitimacy – but the gangster is a lonely man, estranged from his family and focused on business. However, when he receives a mysterious letter on Christmas Eve, he realises that his loved-ones and his empire are in danger of annihilati­on.

As the enemy closes in, Tommy flees his country house and returns to the only safe place he knows: Small Heath, the slum where he grew up. Facing a more determined and sophistica­ted threat than ever before, the Shelbys must put difference­s aside, take up arms and fight for survival.

There is a new danger lurking in Peaky Blinders and it’s the saga’s biggest threat yet.

So far, we know little of this new danger other than it is a new criminal organisati­on “of a different dimension”, headed by a ruthless crime boss (Adrien Brody), and according to Knight, it will represent the Shelbys’ “biggest threat” in the saga to date.

Knight is thrilled to have Oscar-winner Brody on board as the story develops. He says: “Adrien genuinely was the actor in my head when I wrote the part. I’m sure he will be a formidable presence.”

Knight says it was always his intention to make Peaky

Blinders a “between the wars” story beginning at the end of the First World War and concluding on the eve of the Second World War.

The writer revealed: “I hope it does run and run all the way up to the Second World War, but it does get harder to get the cast together as the actors are being pulled into feature films. It’s a victim of its own success.”

“This is a real passion project for me and I look forward to telling more stories of the Shelby family.” BBC 4, 9pm

Bettany Hughes uncovers the history of Venus, exploring the goddess’ relationsh­ip not only to her Greek counterpar­t Aphrodite, but also the prehistori­c war deities of the Middle East. The presenter discovers that this ancient goddess has been imagined as everything from a bearded, genderflui­d woman to a sinister volcanic rock to a martially clad figure. But the softer, nude image we’re more familiar with can also stir up strong emotions . Channel 4, 9pm

What it is like to serve a long-term prison sentence in Britain? Filmed over a year, this two-part documentar­y gives us an insight. It follows prisoners, including men convicted of murder and serving mandatory life sentences, from the moment they enter, through to their release. The programme has unpreceden­ted access to jails including HMP Shotts, Scotland’s only prison exclusivel­y for long-term offenders. The establishm­ent says “it seeks to provide a secure, safe, caring and productive environmen­t, while providing opportunit­ies for offenders to come to terms with their sentences and address their offending behaviour.” But how successful is Shotts and other prisons at achieving this?

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