The Herald - The Herald Magazine

A plastic-free Christmas table floral display

- HANNAH STEPHENSON

THERE’S nothing that creates a festive table better than a glorious flower and foliage decoration but what flora and fauna should you use, and how do you best secure your arrangemen­t?

Sophie Powell, principal of McQueens Flower School in London, which runs floral and creative design classes, says that pine, eucalyptus and other stems from your garden can be used as a framework, plus seasonal flowers and other bits and pieces – such as ilex berries and wispy asparagus fronds – to add texture and colour to an arrangemen­t.

Design trends have changed, she says, from very tight, uniform and what she calls “cookie cutter” styles, to more wild, whimsical and less constructe­d displays, largely because the school is not using flower foam (oasis), because it’s a micro-plastic that does not biodegrade.

Powell says you can generate a more contempora­ry arrangemen­t using eco-friendly products and less plastic. Here’s how.

WHAT YOU’LL NEED

A bowl or vase which is going to suit your size of arrangemen­t.

Medium-gauge chicken wire or biodegrada­ble tape.

A variety of foliage stems, which may include pine and eucalyptus.

Seasonal flowers such as hellebores, plus a few colourful accent blooms.

Other floral additions such as berried stems and gold-sprayed asparagus fronds.

Secateurs or sharp scissors.

1. CREATE YOUR BASE

Scrunch chicken wire into two or three layers and place it in the bowl or vase, so there are no gaping holes and you’ll be able to weave your stems through them. Make sure the wire reaches the edge of the vase. Then fill it two-thirds full of water.

Alternativ­ely, you can criss-cross recyclable tape on to the top of your vase or bowl to make your grid, through which you will secure stems.

2. DECIDE WHAT SHAPE YOU WANT

You may want an asymmetric design, which is higher at one side,

of building up a podcast fan base because people know you are going to be there. People all have their own personalit­ies, which make their shows unique. People who have a clear remit of what they want to do have more chance of success.

“Some podcasts offer a more immersive experience and make you feel like you’re part of a lovely chat with plant-loving people, others go really in-depth on a particular topic. They offer something different to what we get on other garden media.”

Mary adds: “The Plant Based Podcast is about the whole world of plants, not just gardening but food, clothing, medicines; so it hits a number of audiences. We both participat­e a lot on social media as well to have fun with listeners and get the word out there about how cool plants are.

“I also think the world is waking up to the importance of our climate and plants are key, so more people are becoming interested in general.”

HOW DO PODCAST NEWBIES FIND A GOOD GARDEN ONE?

“There are various podcast charts online you can dip into,” says Perrone. “Or just do a web search of ‘garden podcast’. Most are free. I don’t know of any behind a paywall.”

Mary adds: “Most podcasts are on all of the usual platforms such as Apple, Spotify and Google, and many also upload episodes to their website. I usually find new podcasts to listen to via recommenda­tion from friends or social media.”

HOW DO LISTENERS GET THE MOST OUT OF A PODCAST?

“I think being able to engage with the podcast host is really important,” says Mary.

“People are looking for interactio­n and to feel involved in the podcast journey. Engaging with competitio­ns both via the podcast and on the associated podcast social media, along with giving feedback, is a great way to really feel part of it.

“If you like one episode of a particular podcast, listen to more and get to know the hosts’ characters as well. It makes it more personal.”

Podcast recommenda­tions... Fresh From The Pod (candidegar­dening.com/GB/ podcasts)

Bubbly host and RHS judge Tamsin Westhorpe collaborat­es with the Candide gardening app to bring listeners this lovely podcast featuring all of the big names in horticultu­re, including Chris Beardshaw and Carol Klein.

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