The Herald - The Herald Magazine

The afterlife of a singer

- ALASTAIR MABBOTT

SCABBY QUEEN

Kirstin Innes

(Fourth Estate, £8.99)

A few days before her 51st birthday, folk singer and political activist Clio Campbell is found dead from an overdose. Having grown up in a Highland mining town, the politicise­d singer famously turned a Top of the Pops appearance into a Poll Tax protest, setting her on a path of tireless activism which inspired countless people. Each of Innes’s multiple narrators has their own version of who she was, and a picture gradually takes shape of a complex woman for whom the personal and political were inextricab­ly entwined. Clio’s suicide casts a bitterswee­t pall over what follows as Innes traverses the political history of the last four decades, examining women’s roles in music and activism. But what makes it ultimately so moving is watching these disparate memories of Clio coalesce into a flawed but rich character who leaves an indelible impression.

DOUBLE LIVES Helen McCarthy

(Bloomsbury, £12.99)

In Victorian times, working women were seen as a “social problem”, despite numbering in the millions. Stretching from 1840 to the present day, McCarthy’s social history of women in the workplace examines the persistenc­e of the Victorian idealisati­on of motherhood and policies intended to keep women dependent on their husbands. Even at times when they were well represente­d in the labour market, such as wartime and the 1950s consumer boom, women’s work was considered temporary, justifying low wages. And today, while it may no longer be acceptable to say women must choose between family and career, the world of work is still arranged with men in mind. McCarthy draws from surveys, reports and fiction, but the most important sources for this weighty, authoritat­ive tome are the voices of working women themselves.

THE MASH HOUSE

Alan Gillespie

(Unbound, £9.99) There’s only one road in and out, the phone signal is unreliable and everyone has secrets. In the remote Highland village of Cullrothes, no-one knows who to trust. Gillespie’s whisky-centric novel keeps a close eye on numerous characters, from the distillery owner whose sideline is distributi­ng drugs alongside whisky to the young couple who have just moved into the area to the 16-year-old girl who is desperate to escape it and her dying grandfathe­r. When the distillery owner’s son disappears, an anonymous American investor tries to muscle in on his business and the villagers’ secrets begin to unspool. With such a varied cast, there are always shafts of light to balance the oppressive gloom. This is a smart dissection of the darkness at the heart of an isolated community, a suspensefu­l and unsettling read.

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