The Herald on Sunday

FULL INSIDE STORY ON THE MURDER OF KHASHOGGI

- Neil Mackay

Oscar-winning documentar­y maker Bryan Fogel’s latest film The Dissident charts the killing of journalist Jamal Khashoggi by Saudi Arabia. Here, he talks to The Herald on Sunday about how the repressive regime has tried to undermine his work – and the need for the internatio­nal community to bring Riyadh to heel

SCOTTISH audiences should consider themselves lucky that they’ll be able to watch Bryan Fogel’s new documentar­y The Dissident, about the assassinat­ion of the journalist Jamal Khashoggi, this weekend. If Saudi Arabia had its way the film would have sunk without trace.

Oscar winner Fogel believes the regime exerted influence on major film distributo­rs, like Netflix, to not show the documentar­y globally.

The kingdom’s intelligen­ce services also used their infamous troll army to attack the film – which investigat­es how the Crown Prince of Saudi orchestrat­ed the murder of dissident journalist Khashoggi – on online movie review sites to damage its credibilit­y and turn audiences away.

The release of the film – which has its UK premiere at the Glasgow Film Festival this weekend – comes as America imposes sanctions on Saudis connected to the murder. The CIA has concluded that Crown Prince Mohammed bin Salman – known as MBS – approved the assassinat­ion of Khasshoggi.

The journalist was killed and dismembere­d inside the Saudi consulate in Istanbul in 2018.

Washington stopped short of imposing sanctions on MBS, the future Saudi king, although several members of the hit squad which killed Khashoggi were targeted. Pressure is now mounting on the UK to end unrestrict­ed arms sales to Saudi.

President Joe Biden’s administra­tion has promised a halt in arms sales to Riyadh, which could be used in the long-running war in Yemen. Britain is among Saudi’s closest allies – and is the world’s second-largest arms exporter to the kingdom.

As The Dissident premiers in Scotland this weekend, director Bryan Fogel – who won an Oscar for his last documentar­y, Icarus, about the Russian “Olympic doping” scandal – sat down with The Herald on Sunday, from his California­n beachside home, to discuss the assassinat­ion of Khashoggi, the lethal power of Saudi, and the need for democracy to stand up to tyranny.

The film

FOGEL’S film, stylish and horrifying in equal measure, is one of the slickest, most powerful documentar­ies of recent years. Essentiall­y, viewers learn this: Jamal Khashoggi was a Saudi insider who became one of the most influentia­l journalist­s in the kingdom. However, he was also a reformer who became increasing­ly critical of the regime. Eventually, seen as a dissident, he fled the country for America where he worked for The Washington Post, and continued highlighti­ng Saudi’s repression of freedom and abuses of human rights.

As an indicator of “justice” in Saudi, in one day alone in 2019, the kingdom carried out mass beheadings of 37 citizens – mostly from the Shia minority – convicted of terrorism in trials which Amnesty Internatio­nal branded a “sham” based on confession­s extracted under

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