The Independent

Ian Burrell

What they didn’t tell you on Panorama

- Ian Burrell

The timing of Tuesday night’s Panorama special, The VIP Paedophile Ring: What’s the Truth?, was convenient indeed for the Prime Minister, coming hours ahead of his speech to the Conservati­ve Party conference in Manchester.

The hour-long documentar­y pulled apart the Metropolit­an Police’s Operation Midland inquiry into historic claims of child sex abuse by Establishm­ent figures and appeared to absolve the former Conservati­ve home secretary Leon Brittan, who was questioned by officers before his death this year, as well as casting doubt on evidence against other Tory grandees.

As David Cameron took to his feet with a determinat­ion to dispel the lingering image of the “nasty party” – still recovering, as he was, from the sleazy smears of Lord Ashcroft – it was helpful to have the persistent and damaging saga of politician­s and paedophili­a swept into the trash.

For those delegates attending the conference for the purpose of lobbying for the existentia­lly challenged BBC, the conversati­ons in the corridors might have become a little easier after Tuesday night, ahead of the corporatio­n’s submission on Friday of its detailed response to the Government’s Green Paper on the broadcaste­r’s future.

The Metropolit­an Police, though, was less than happy. Scotland Yard issued a long statement ahead of the broadcast, saying it had “serious concerns” about the impact of the programme on its investigat­ion and the witnesses involved. The Yard’s position was backed up by the Chief Constable of Norfolk, Simon Bailey, who is head of child abuse investigat­ions for the National Police Chiefs Council. He told Radio 4’s Today programme: “The worst possible thing that could happen from this is that victims who are coming forward and reporting their abuse when they were a child will not do so.”

What of the programme itself? Reporter Daniel Foggo diligently tracked down key witnesses in the far-ranging scandal and systematic­ally exposed holes in their stories and flaws in their credibilit­y. The viewer was left with the impression that the evidence of VIP child sex abuse, at either Dolphin Square, near Parliament, or at the notorious Elm Guest House in south-west London, did not stand up to scrutiny.

But journalist­s with experience of investigat­ing the story were concerned by the extremity of the programme’s positionin­g. In a powerful blog, the highly experience­d investigat­ive journalist Tim Tate wrote that Panorama had produced “very little new informatio­n” and that question marks against four of the featured witnesses had already been “widely publicised” in other media. He noted hard evidence of paedophili­a involving other Establishm­ent figures, such as the late MPs Cyril Smith and Sir Peter Morrison, and the late diplomat Sir Peter Hayman. “Panorama fell into the trap of dismissing all the clear and unequivoca­l evidence of VIP or politicall­y protected paedophile­s,” he wrote.

Meirion Jones, the former Newsnight producer whose 2011 investigat­ion into Jimmy Savile was famously spiked by the BBC, tweeted of the documentar­y: “This is absurd – categorica­lly, a very young boy was repeatedly abused by paedophile­s at EGH [Elm Guest House]”.

Jones was involved in the Panorama that exposed the BBC’s failure to investigat­e Savile, a courageous documentar­y broadcast in 2012 after the scandal of the Jim’ll Fix It presenter had been broken by ITV. He has since claimed to have been forced out of the BBC, along with the former editor of Panorama Tom Giles and Liz MacKean, his colleague on the Newsnight Savile investigat­ion.

Ceri Thomas, who replaced Giles as editor of Panorama, announced to colleagues his wish to do a programme on the VIP paedophile scandal almost immediatel­y after taking up his role a year ago. In a blog published last week, he wrote: “What we’ve found while making this Panorama is a concern that all those big institutio­ns – the police, press and politician­s – are so determined to atone for the sins of the past that they’re in danger of inventing whole new categories of mistakes.”

He lashed out at politician­s who “staggered into the Savile crisis with their moral authority in tatters over their expenses” and the press, “cheerfully hacking the phones of murder victims, miserably incompeten­t at investigat­ing Jimmy Savile’s crimes”. Thomas did not dwell on the BBC’s own record in investigat­ing Savile, nor the damage done to the organisati­on by its sordid presenter.

Meirion Jones was astounded. “Ceri Thomas ... criticises big institutio­ns ‘determined to atone for sins of past’, certainly wouldn’t accuse BBC of that,” he tweeted.

During the Pollard inquiry into the BBC’s failings in reporting Savile, Thomas acted as a “prisoner’s friend” adviser to Peter Rippon, the Newsnight editor responsibl­e for shelving the investigat­ion by Jones and

MacKean. Last week’s Panorama seemed determined to show that the Savile story – and where it leads – was not the era-defining scandal that other media and MPs such as Tom Watson have been suggesting. It was a film that was as much about other media and the deputy leader of the Labour Party as it was about Scotland Yard, and it induced a muted apology from Watson to Brittan’s family.

But many newspapers, despite Thomas’s suggestion of a vendetta of atonement, have long been questionin­g the validity of Operation Midland.

The programme ended up rubbishing the work of Exaro, an investigat­ive website that few television viewers will have heard of. Exaro’s editor, Mark Watts, went on Radio 4’s The Media Show to complain of

Panorama’s “brazenly biased” approach. But those who had high hopes for Exaro, with its promise of a fresh approach to journalist­ic investigat­ions in the City and Whitehall, should be concerned that the site’s obsession with this story, and reliance on sources discredite­d elsewhere, could do lasting damage to its young reputation.

The documentar­y also attacked the BBC’s newsroom for giving prominence to the alleged scandal.

The scale of the accusation­s makes this a subject worthy of Panorama. “What you are seeing here is journalist­s holding other journalist­s to account, and that’s a good thing,” says Dr Paul Lashmar, lecturer in journalism at the University of Sussex.

Equally, police should not decide when a documentar­y is broadcast, especially when a scandal has been dragging on for years.

Yet there’s an oddity in the timing of this programme, as Liz MacKean – who since leaving the BBC has made Cyril Smith,

Paedophile MP for Channel 4’s Dispatches – points out. While the BBC cites ongoing police investigat­ions as its reason for holding back publicatio­n of Dame Janet Smith’s three-year review of the culture and practices at the BBC during the Savile years, it applies different rules to Panorama. “I find that a really contradict­ory position,” says MacKean.

And so, after 12 months of investigat­ion and much delay, the documentar­y was inserted into the BBC1 schedule just a day after another Panorama on Edward Snowden, during the Tory conference. Rather than breaking a story, it was debunking one that has already been largely debunked.

The following day, the former Bishop of Lewes and Gloucester, Peter Ball, was jailed for sex abuse against boys dating back 40 years. An Old Bailey trial heard that an original police investigat­ion resulted in a mere caution after the bishop was backed by MPs, cabinet ministers and members of the Royal Family. There was a story.

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 ?? Meirion Jones, a former ‘Newsnight’ producer, whose 2011 investigat­ion into Jimmy Savile was spiked by the BBC ??
Meirion Jones, a former ‘Newsnight’ producer, whose 2011 investigat­ion into Jimmy Savile was spiked by the BBC

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