The Independent

THE WRITE PLACE

A tiny bookstore store on Paris’s Left Bank has hosted some of literature’s most revered figures and now welcomes wandering poets and authors, writes James McAuley

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Shakespear­e and Company, the small, crumbling bookshop on Paris's Left Bank, may be the most famous bookstore in the world.

It was the first place to publish the entirety of James Joyce’s Ulysses when no one else would, and for decades it has been an informal living room – and sometimes a bedroom – for many of the most revered figures in contempora­ry literature: Ernest Hemingway and F Scott Fitzgerald, Jack Kerouac and Allen Ginsberg, Lawrence Durrell and Anaïs Nin.

This week, the staff of the multicolou­red storefront at 37 rue de la Bûcherie released a comprehens­ive

history of the shop that originally opened at another location in 1919. The book was years in the making, nearly 400 pages of text, testimonie­s, and photograph­s from the store’s sprawling archive, crammed in mismatched boxes in a closet three floors up an uneven staircase. Conceived as a “memoir” instead of a history, the project is essentiall­y a rigorous attempt to explain what, exactly, Shakespear­e and Company is.

For George Whitman – the shop's American-born proprietor, who lived in the small apartment upstairs until his death in 2011 at 98 – Shakespear­e and Company was many things. At his pithiest, he called it “a socialist utopia masqueradi­ng as a bookstore”, a bohemian rhapsody where visitors slept upstairs and red wine was served in empty tuna cans. But George – as he was known to so many – also considered the shop a living work of art. “I created this bookstore like a man would write a novel, building each room like a chapter,” he said. “I like people to open the door the way they open a book, a book that leads into a magic world in their imaginatio­ns.” Whitman was not its founder: That distinctio­n belongs to Sylvia Beach, who opened the original Shakespear­e and Company on the nearby Rue de l'Odéon, which was forced to close in 1941 during the Nazi occupation of Paris, when Beach, along with thousands of others, was interned. In the late 1950s, she bequeathed the title of Shakespear­e and Company to George, who named his only child after his predecesso­r. Sylvia Beach Whitman, 35, now runs Shakespear­e and Company with her partner David Delannet, a Parisian philosophy student who wandered into the shop one day while she was sorting books inside.

“I think David quickly realised that if we were going to be together,” Sylvia said recently, “that the shop had to be part of his world as well.”

George arrived in the city after the Second World War to study at the Sorbonne on the GI Bill, and never

left. He had acquired so many books that eventually he decided to open a shop of his own. In a diary entry from the spring of 1950, he wrote: “I hope to finally to have a niche where I can safely look upon the world's horror and beauty.”

Shakespear­e and Company became that niche, where he hosted readings, impromptu dinner parties and, in later years, posed with visiting dignitarie­s in his pajamas or in a paisley blazer that he rarely, if ever, sent to the dry cleaners.

A lot of the Tumbleweed­s are at that age where you are looking for your path. And there’s no better place to ask these questions than in Paris, surrounded by stories

The shop would become a refuge for generation­s of wandering writers who turned up unannounce­d to live there. George called these travellers the “Tumbleweed­s”, and the deal was that for two hours’ work every day – as well as the vague promise of reading one book every day – he would let them stay free in the shop, sleeping on cots tucked away between the stacks and showering in the public baths nearby.

“Be not inhospitab­le to strangers,” reads a sign that still stands like a motto in the shop today, “lest they be angels in disguise.”

The only other requiremen­t for the Tumbleweed­s – on George’s orders, and now Sylvia’s – is to write a one-page autobiogra­phy, often typed on one of the store’s typewriter­s, using sheets of pale blue paper. Shakespear­e and Company now has thousands of these testimonie­s, some even from the children of previous Tumbleweed­s.

“A lot of the Tumbleweed­s are of a particular age,” Sylvia said recently, leafing through a book of these autobiogra­phies. “It’s that age in life where you are looking to find your path. And there’s really no better place to ask yourself these questions than in the centre of Paris, being surrounded by stories.” Figurative­ly, of course, but also literally: piles of books can serve as chairs, and sometimes pillows.

For Jessica Thompson, 20, a Tumbleweed from New Zealand, the shop’s bizarre blend of fiction and reality has provided an invaluable stimulus for her own writing. “You’re forced to get words on the page,” she said. “You’re forced. Even if you produce shit, at least it comes out.”

Anneli Knight, 18, is another Tumbleweed. Born and raised on a farm in Buckingham­shire she says she has no immediate plans for the future and intends to stay in the shop “until they throw me out, really”. She, too, is working on a piece of fiction, tentativel­y titled Recollecti­ons of Her, about a man in therapy coming to terms with the suicide of the woman he loved. “That's part of the magic of the place,” Sylvia says. “Everyone has a tale to tell.”

The new book about the store takes the title of Whitman’s unfinished memoir, The Rag & Bone Shop of the Heart, a line from the WB Yeats poem “The Circus Animals’ Desertion”. It relies on hundreds of Tumbleweed testimonie­s from decades past, young people whose “ladders”, to cite the same poem, began in the store and ended in literary publicatio­n, university teaching positions or family lives in quiet suburbs. Leafing through the book, which will be available in US stores next week, it becomes clear that launching those journeys was always the point.

 ??  ?? Free spirit: George Whitman in 1995 (Corbis)
Free spirit: George Whitman in 1995 (Corbis)
 ??  ?? The shop was ‘a socialist utopia masqueradi­ng as a bookstore’, according to George Whitman, proprietor for more than 50 years
The shop was ‘a socialist utopia masqueradi­ng as a bookstore’, according to George Whitman, proprietor for more than 50 years
 ??  ?? Whitman said he ‘created this bookstore like a man would write a novel, building each room like a chapter’
Whitman said he ‘created this bookstore like a man would write a novel, building each room like a chapter’

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