The Independent

HIDDEN INSANITY OF MAO’S MURDER SPREE

In 1967, a two-month orgy of violence swept rural China and claimed an astonishin­g 4,000 victims. David Barnett on the bravery of the journalist who uncovered the Killing Wind

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When he was a high school student in Changsha, the capital of the Hunan province in south central China, Tan Hecheng accompanie­d an older cousin to meet some of his friends in the Dao County area, a long bus ride away. While his cousin caught up with his friends over stewed fish and rice wine, Hecheng went for a walk around the town of Daojiang, the first distant town in the open countrysid­e of China he had ever been to. This was late in 1967, a year after the start of Chairman Mao’s Cultural Revolution which would last a

decade and which would attempt to impose a pure Communist ideology across China, wiping out anything deemed capitalist, traditiona­list, or bourgeois.

Hecheng was 20 at this point, and a student, and knew full well the impact the Cultural Revolution was beginning to have. But some aspects of it, especially here where he found himself in the more rural corners of the provinces, still had the capacity to surprise. Walking across a pontoon bridge and examining a city wall archway, Hecheng found a handwritte­n notice pasted to the granite wall, claiming to be news of an official investigat­ion into several named “reactionar­y landlords” who were guilty of “heinous crimes including persistent reactionar­y standpoint­s, score settling and resistance to remoulding and a poor work effort”. The notice, signed by the Head Judge of the Supreme People’s Court of the Poor and LowerMiddl­e Peasants, was dated some months before and concluded chillingly: “Public wrath demands their execution… they are sentenced to death, effective immediatel­y.”

Hecheng says the prospect hit him hard: “My heart began thundering in spite of myself, my scrotum shrivellin­g into a tight little ball as my scalp tingled.” He ran back to find his cousin and his friends, thinking, “Although I’d long become inured to the many fantastica­l oddities emerging from the Cultural Revolution, this notice and this ‘court’ took me completely by surprise.”

In the early days of the Cultural Revolution, not everything that went on in the battle to cleanse China of capitalist influences was widely known about. Property was seized, torture carried out, people imprisoned on the flimsiest of pretexts. Young people, like Hecheng’s cousin and his friends, had been sent what became known as “down to the country”, transplant­ed from their urban homes to rural areas for “reeducatio­n” and to instil a strong work ethic. These were the “fantastica­l oddities” of the Cultural Revolution.

However, when Hecheng got to his companions, they were nonplussed at his reaction. His cousin shrugged and told him: “Lots worse things went on.” But nobody could satisfacto­rily give Hecheng any explanatio­n for the deaths; the young people like his cousin who had been sent to the countrysid­e for reeducatio­n had gone back to the cities to continue the “revolution” by the time the worst of what would become known as the Daoxian massacre took place. And it would take Hecheng another two decades to properly get to the truth of the matter.

But that day in Daojiang he had stumbled on another facet of the Cultural Revolution that could not in any sense be dismissed as an oddity… it was the systematic murder, over 66 days in 1967, of an astonishin­g 4,000 people, a kind of insanity that spread out to the surroundin­g districts and eventually resulted in the deaths of 9,000 men, women and children, who were considered enemies of the Maoist government. And it might have all been suppressed or forgotten, had Hecheng not become a journalist and taken an assignment in 1986, which gave him access to a large quantity of classified documents relating to the Daoxian massacre and which prodded the memories of the feelings of horror he had felt on that innocuous day trip 20 years earlier.

Hecheng had stumbled across journalist­ic dynamite. But even though the Cultural Revolution had come and gone, and ostensible reform had taken its place, China was still mired in bureaucrac­y and close scrutiny was given to anything that might be deemed damaging to the government. It was journalist­ic dynamite, that, were he not extremely careful, could quite easily blow up in his face.

Chinese journalist Yang Jisheng, who wrote an extensive investigat­ion into the 1959-1961 Great Famine, called Tombstone, says: “I know very well what it is to undertake this kind of journalist­ic inquiry in

mainland China and the risk and political pressure it entails. In compiling these records, Tan took a heavy cross upon himself, and his life entered a new trajectory. Most of the informatio­n currently circulatin­g in China and abroad regarding this massacre is the result of Tan’s reporting and is only the tip of the iceberg.”

Naturally, Hecheng was banned from publishing the results of his investigat­ions into the classified documents, and his subsequent visits to the Daoxian region to find out precisely what had happened. But in 2010 he published, in Hong Kong, no longer under mainland control, a Chinese language edition of his findings, which was titled after the name rural peasants in Dao County gave to the period between 13 August and 17 October 1967, when the massacre took place: The Killing Wind.

But, aside from the rather abstract informatio­n that 4,000 people died in 66 days, what exactly was the Daoxian massacre, the Killing Wind, and why did it happen?

Perhaps the most startling image from Hecheng’s book, now translated into English for a brand new edition on the 50th anniversar­y of the massacre, is the descriptio­n of the Xiao river bloated with dead bodies; children dance on the banks of the vast river, counting the corpses which flow past a hundred an hour, until they become tangled and bottleneck­ed at the Shuangpai dam. It takes six months to clear the hydropower generators of bodies; it is two years before local people will eat fish from the cadaver-stuffed river again. The propaganda was taken on board by rural people in Dao County with a passion bordering on frenzy. There were black elements everywhere… your neighbour could be one. You could have them in your own family The bodies that had been cast into the Xiao had been murdered with farming tools, spades, hoes, sticks. Others had been thrown into limestone pits… sometimes without even being killed, suffocatin­g in a rapidly filling mass grave. And when their killers were feeling particular­ly creative and had time on their hands, they would practise “the Celestial Maiden Scattering Flowers”… several people would be tied together and blown up with dynamite, flesh, bone and body parts scattering the surroundin­g area. Those killed were described by Maoist propaganda as “black elements” – capitalist, bourgeois, traditiona­l.

They were said to be landlords — a heinous crime, profiting from the land others had to live on — or capitalist­s… even a simple shopkeeper could be classed as a capitalist. Anyone who had voiced seditious sentiments a decade or more before the Cultural Revolution would be fingered as a black element, anyone who had a job that was part of the previous infrastruc­ture. Homosexual­s, of course, were black elements. The propaganda was taken on board by rural people in Dao County with a passion bordering on frenzy. There were black elements everywhere… your neighbour could be one. You could have them in your own family.

Over August 1967, the fear of black elements within the province began to reach fever pitch. The atrocities of the Cultural Revolution are well-known. But most focus on what went on in the cities, with the Red Guard carrying out Mao’s orders against suspected insurrecti­onists. What happened in Daoxian was another level… Chinese against Chinese, villager against villager, farmer against farmer, with enmities and suspicions breeding and spilling over into a two-month orgy of madness and murder.

Yang Jisheng says: “Under this totalitari­an system, a portion of the people, perhaps five per cent or more of China’s population, were labelled as a political underclass. Year in and year out, day after day, the media tools of the state apparatus demonised this particular underclass until they were considered worthy of death.”

Song Yongyi is a librarian and professor at the John F Kennedy Memorial Library of California State University. He was jailed twice during the Cultural Revolution for belonging to a “counter-revolution­ary clique”. He says: “Tan Hecheng’s investigat­ion shows us that ‘black elements’ and their off-spring were an underclass suffering horrendous and social bias who had become so disempower­ed under the long-term dictatorsh­ip of the proletaria­t that even as they faced their deaths, the didn’t dare ask the simple question, ‘Why do you want to kill me?’ There is no justificat­ion in internatio­nal law, in China’s own laws, or even in the superficia­l policies of the Chinese Communist Party for the killing of unarmed and peaceful citizens, not to mention women, the elderly and children.”

Whether the Killing Wind was an infected madness that swept across Dao County, or the opportunit­y for old scores and enmities to be settled or acted upon, it resulted in a horrendous death toll… with victims ranging, says Song Yongyi, from 78 years old to, heartbreak­ingly, just 10 days old. And without the bravery of Tan Hecheng, 30 years ago, acting to bring the facts he uncovered to world attention against the wishes of the Chinese censors, the Daoxian massacre might, like the thousands of innocent victims slaughtere­d and left in mass graves, have remained buried forever.

‘The Killing Wind’ by Tan Hecheng is published by the Oxford University Press

 ??  ?? Tan Hecheng, author of ‘The Killing Wind’ (Sim Chi Yin)
Tan Hecheng, author of ‘The Killing Wind’ (Sim Chi Yin)
 ??  ?? Chinese youth and red guards study copies of Mao’s ‘Little Red Book’ in a picture released in 1971 (Getty)
Chinese youth and red guards study copies of Mao’s ‘Little Red Book’ in a picture released in 1971 (Getty)
 ??  ?? Mao Tse Tsung salutes the army of The Great Proletaria­n Cultural Revolution in Peking in 1967 (Getty)
Mao Tse Tsung salutes the army of The Great Proletaria­n Cultural Revolution in Peking in 1967 (Getty)
 ??  ?? The bible of Maoism shifted the focus of revolution­ary struggle from the urban workers or proletaria­t to the countrysid­e and the peasantry (Getty)
The bible of Maoism shifted the focus of revolution­ary struggle from the urban workers or proletaria­t to the countrysid­e and the peasantry (Getty)

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