The Independent

Matthew Adams, Principal Lecturer in Psychology, University of Brighton. This article first appeared on The Conversati­on (theconvers­ation.com) Carnage is available exclusivel­y on BBC iPlayer now

A new mockumenta­ry imagines a vegan utopia 50 years from now where all animals are equal. But, Matthew Adams asks, could a post-meat world really be possible?

-

Will our grandchild­ren look back, 50 years from now, at a time when human beings ate other animals as one in which their grandparen­ts were “complicit in a bloodbath of unnecessar­y suffering”, a horror show of unremittin­g violence that is “wholly unimaginab­le” to them? That’s the intriguing premise of Carnage, a new feature-length BBC film which depicts a 2067 utopia where humans no longer raise animals for consumptio­n.

Carnage is a mockumenta­ry, written and directed by comedian Simon Amstell, but let’s contemplat­e its premise seriously for a moment. Is a “post-meat” world possible? Could we manage a transition to a society where farmed animals are liberated and granted equal status, free to live equally among humans?

There are some good reasons why this is an unlikely vision of the future. For a start, the number of animals slaughtere­d globally is on the increase. Although this includes hunting, poaching, and unwanted pets, by far the biggest point of interactio­n between humans and other animals is industrial farming. The statistics are staggering: at least 55 billion animals are killed by the global farming industry each year, and this figure is growing every year. Despite marketing tales of animal welfare and “happy meat”, factory farming means violence, discomfort and suffering on an enormous scale.

Cognitive dissonance is a circular process that can end up with exaggerate­d and socially-polarised views, reflected perhaps in familiar attempts to publicly ridicule veganism

This is why Yuval Noah Harari, the author of Sapiens: A Brief History of Humankind, calls our treatment of domesticat­ed animals in industrial farms “perhaps the worst crime in history”. If we turn to consumers’ willingnes­s to eat meat, psychologi­cal research in this area appears to cast further doubt on the utopian vision of Carnage. Most people who eat meat express concern in relation to animal welfare, and experience unease when the death or discomfort of animals is associated with the meat on their plate.

Psychologi­sts refer to this tension between beliefs and behaviour as “cognitive dissonance”. We want to reduce the discomfort of such dissonance, but human nature means we often seek the easiest ways of doing so. So rather than changing behaviour, we change our thinking, and develop strategies like minimising the harm of the offending behaviour (animals don’t have the capacity to suffer like we do; they do not matter; they have a good life); or denying one’s responsibi­lity for it (I am doing what everyone does; it is necessary; I was made to eat meat – it is natural).

Dissonance-reduction strategies often lead, paradoxica­lly, to an increase in commitment to “morally troublesom­e behaviour” such as eating meat, to justify them. We then have to work harder to reduce dissonance, creating the need to defend one’s behaviour even more vigorously. This commitment becomes habitual, and part of our shared routines, traditions and social norms. It’s a circular process that can end up with exaggerate­d and socially-polarised views, reflected perhaps in familiar attempts to publicly ridicule veganism. On this reading of the psychology research, change on the scale envisioned by Carnage seems unlikely.

The path to a world without meat

There are grounds for optimism, however. A first challenge comes from growing health concerns related to eating meat, and an accompanyi­ng lifestyle movement that embraces a “plant-based diet”. Meat substitute­s are also becoming increasing­ly sophistica­ted, as the tech industry recognises the potential

market value of alternativ­e protein sources.

This is matched by a resurgent concern for the welfare of nonhuman animals more generally. Examples include successful campaigns against captive orca whales and circus animals, the widespread questionin­g of the purpose of zoos, and a burgeoning legal movement defending the rights of animals in court. This trend is strengthen­ed by growing recognitio­n of the emotional, cognitive and social complexity of nonhuman animals.

A global reduction in meat consumptio­n is one of the best ways to fight climate change. And, as pressure for resources rise, so too might cost, leading to less meat eating

What might be the biggest factor of all, however, is the impact on the climate. Meat is an inefficien­t use of resources (as farm animals eat food that could go straight to humans), while cows famously fart out lots of methane. The UN says the large-scale industrial farming of animals is one of “the top two or three most significan­t contributo­rs to the most serious environmen­tal problems, at every scale from local to global”. A global reduction in meat consumptio­n is one of the best ways to fight climate change. And, as pressure for resources rise, so too might cost, leading to less meat eating.

Taken in isolation, none of these trends suggests social change on the scale Carnage imagines. But together, they just might. It is a combinatio­n that could explain significan­t growth in the number of vegetarian­s and vegans for example. This increase is especially marked among younger people – an important point to consider in relation to our imagined 50-year trajectory. And let’s face it, the need to do anything we can to collective­ly reduce carbon emissions and alleviate the worst effects of climate change is only going to become more pressing as we approach 2067. The German government seems to have

recognised this, recently banning meat from all official functions for environmen­tal reasons.

These trends suggest the interlocki­ng psychologi­cal, social and cultural dynamics that keep us habitually and routinely eating meat might be beginning to loosen. Films like Carnage also contribute to this unravellin­g, opening up our imaginatio­n to alternativ­e futures. If you watch it, I hope it raises a few laughs, but also offers some (plant-based) food for thought.

 ??  ?? ‘Carnage’, written and directed by comedian Simon Amstell, depicts a 2067 where humans no longer raise animals for consumptio­n
‘Carnage’, written and directed by comedian Simon Amstell, depicts a 2067 where humans no longer raise animals for consumptio­n
 ??  ?? In Carnage's version of 2067, meat eaters are mocked, scorned and pitied (BBC)
In Carnage's version of 2067, meat eaters are mocked, scorned and pitied (BBC)
 ??  ?? 55 billion animals are killed each year for meat consumptio­n
55 billion animals are killed each year for meat consumptio­n

Newspapers in English

Newspapers from United Kingdom