The Jewish Chronicle

TheGatsbyg­irlandtheF­rancorescu­e

- Anne Sebba

BARBARA SOLOMON, 86 and still writing, remembers clearly how as a teenager she drove across France to Spain in a daring bid to rescue two young students held prisoner in one of Franco’s most brutal hard labour camps. She and her friend, Barbara Mailer, sister of the not yet more famous Norman, had agreed to try and free the two boys, “which sounds absurd now as you are writing it down,” Solomon told me when I met her in her New York apartment.

“But I had an adventurou­s temperamen­t, they didn’t know anybody and when Norman told us he had a car and a plan but it needed Barbara and me to participat­e, we agreed. He thought two young girls would have a better chance of crossing the border through the mountains because we looked too young, too American to be suspicious.”

She recalls many details of the 1948 rescue. Also in the car was a young Spanish student activist, Paco Benet, whose father had been killed, who knew the country well and spoke French as well as Spanish. His brother Juan Benet, became one of Spain’s best known novelists.

“We had pre-arranged a meeting place. Nicolas (son of the historian Claudio Sanchez-Albornoz, president of the Spanish republic-in-exile) and fellow prisoner, Manuel Lamana, had been somehow sent a message telling them to be last in line at the end of the day and that a car would be waiting for them. It helped that they were in regular clothes because Franco was too poor to put his prisoners in a uniform,” she recalls.

But when I ask her how they actually picked them up and how she, not yet 20, kept her cool while she was waiting and then drove them away at speed, she admits: “That’s the moment Barbara and I have both permanentl­y blanked out, the moment Paco walked around the corner before the three of them jumped into the car and I drove off south.

“I remember how desperatel­y hungry the boys were. The moment we neared a restaurant, we had to stop for a gigantic meal. We were lucky that the police didn’t think we’d be going south and wasted time tracking them down in the immediate area… so we got away.”

By the time the group reached Barcelona, Paco Benet and Barbara Probst had fallen in love. Barbara was beautiful as well as clever and well-read. She describes Paco as tall with very blond hair, intense dark eyes and very brainy.

“Clearly we were too young for all of this,” Barbara says wistfully, “as we wanted to go on the rollercoas­ter in Barcelona and kept saying to each other ‘one day we’ll come back when the fighting is over.’” Instead, they returned to Paris where Barbara enrolled at the Sorbonne and started living with Benet.

Her life in 1948 Paris revolved, for the next four years, around a group of dissident Spanish students in exile, trying to ensure that the world heard the story she had learned first-hand. Nicolas and Manuel had been forced to work as slave labourers in Franco’s prison at the Valle de los Caidos (Valley of the Fallen), constructi­ng the vast monument that was to be Franco’s tomb. Escapes were extremely rare and there were still executions by firing squad long after the war was over.

“Nobody wanted to know about the struggle to end Franco’s dictatorsh­ip after World War Two had ended. It seemed as if everyone had had enough of torture and concentrat­ion camps. The Spanish drama was a nonstory.” But she badgered various editors into taking her stories and soon found she had become a journalist. “Because they kept saying, oh, it’s that girl again.”

In 2008 Barbara Probst Solomon became the first American and the second woman to be awarded Spain’s top journalism award, the Francisco Cerecedo Prize.

Barbara Probst grew up in a privileged Jewish cosmopolit­an family in a magnificen­t house in Westport, Connecticu­t. They were neighbours of Gatsby, or at least the man she believes was F Scott Fitzgerald’s model for Gatsby. Fitzgerald spent six months in the area in 1920 and scholars are now agreed that the mansion and grounds, near the Probst home, were the model for the Gatsby mansion.

BOTH PARENTS were highly cultured intellectu­als whose lives had been damaged by World War One. Barbara’s father, Anthony Probst, a lawyer, had started his career as Woodrow Wilson’s campaign manager but had then served as a private in the US army and had been so badly gassed in the trenches near Amiens that he spent three years recovering in a US army hospital in France. Barbara was drawn to France from childhood, initially in an attempt to understand more of what her father had suffered.

Her father, whose family was Austrian — the novelist Joseph Roth was a cousin — was tormented by the notion that he might have killed people who were relatives.

Her mother, Frances Kurke Probst, was an artist who often travelled to England, studying and meeting fellow artists. Barbara and her elder brother, Mark, were brought up by a German nanny, Hebe, an unusual woman who was the daughter of a Marxist and often spoke to her young charges about Hitler’s rise to power and the dangers of the nascent Nazi Party.

It was not a typical New York upbringing. “We were culturally Jewish but not religious and also we were …” here she breaks off. “I have never said this before, but we were extraordin­arily rich. It wasn’t something one ever mentioned. It was not polite.

“France was the place I always wanted to go. I spoke French and was obsessed by Paris.” She describes herself as a restless high school kid who initially hatched a plan to go abroad at 17, much to her parents’ initial horror. Her parents were relaxed about their daughter’s education (too lax, the school had complained) and eventually they agreed with her decision to move to Europe rather than going to college.

BUT THEY persuaded her to wait a year or two and to travel abroad with her mother. On the ship going over Probst’s mother started chatting to another mother and daughter duo, Mrs Mailer and Barbara. It was a year before publicatio­n of The Naked and the Dead, the controvers­ial war novel which was to make her son’s name, but Mrs Mailer carried a copy with her and gave it to Frances Probst to read during the voyage. When the liner docked at Cherbourg, Mrs Probst congratula­ted Norman, waiting at the quayside to greet his mother, and asked him to look after her daughter in Paris. “She was the only woman who ever entrusted her young daughter to my care,” Mailer quipped later.

Norman and his wife Bea had an apartment in Paris near the Luxembourg Gardens and it was there that Barbara Probst was introduced to a stimulatin­g mixture of artists and intellectu­als. Most of the exiled Spanish dissidents were, she says, not Communists, but anarchists and socialists, totally at odds with the Communists, and therefore exposed in France at the time which could not place them.

Living in Paris in 1948 was harsh for most of the population, with shortages of milk, cheese and butter, and extremely cold. Probst was cushioned because her parents, believing it was morally wrong for a foreigner to come in and deprive the native population who had suffered so much already, sent her food parcels. Her mother also came over occasional­ly to take Barbara on expensive clothes-buying sprees. Paco’s mother did the same for him. “Paco and I were the best-dressed students in town. In fact, his family was just like mine in so many ways,” she says.

One of the motivating factors in undertakin­g the Spanish rescue had been an acute awareness once she arrived in Paris that no one had been there for the Jews in France. “My mother had several French relatives who had perished in Auschwitz. Only one, cousin Leah, had survived in hiding. I knew I did not want to look back and think no one had been there for these kids. That was very important for me. That’s why I couldn’t refuse.”

Benet, although not Jewish, felt similarly, seeing Spain as an isolated country behind Franco’s iron curtain. He did not want his generation to go down in history as having done nothing. After the rescue Benet and Probst started a small undergroun­d journal together. Called Peninsula, it was smuggled out across the Pyrenees into Spain in an attempt to fight the pervasive Communist and Fascist propaganda. Its motto was “Neither Franco nor Stalin.” They commission­ed Juan Benet, Paco’s brother, who became one of Spain’s greatest writers, to contribute a short story to the magazine.

After five years together Barbara and Paco broke up. Paco became a distinguis­hed anthropolo­gist but was killed in 1966 while on an anthropolo­gical dig exploring Bedouin habits when his Jeep crashed in the desert. Barbara studied at Columbia, married law professor Harold Solomon, who died in 1967, and wrote a steady stream of novels, essays and memoirs. They had two daughters, Carla and Maria, and she now has a clutch of grandchild­ren.

She never shed her love of and concern for France and in 1987, while covering the trial of Klaus Barbie, the Nazi Butcher of Lyons, called one of her old friends from 1948 Paris for some background. “And as he talked I sensed in his pauses his excitement as he evoked those times.”

It’s an excitement I am only too aware of. This thoroughly American woman, who has won many awards for her writing and her activism had a world view informed by the war, a war in which 40 million people died. Paris was the place where she first learned to respond to that horror and do something about it. Anne Sebba is writing a book about Paris through women’s eyes between 1939 and 1949

 ?? PHOTO: AP ?? Two young girls hide from Franco’s forces during the Civil War and below, Barbara Probst in the 1940s
PHOTO: AP Two young girls hide from Franco’s forces during the Civil War and below, Barbara Probst in the 1940s
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