The Jewish Chronicle

Reshapes of Roth

- CLASSIC FICTION The Antichrist The Antichrist Weights and Measures DAVID HERMAN

PETER OWEN was one of that extraordin­ary generation of Jewish refugee publishers who fled central Europe in the 1930s and ’ 40s. Born P e t e r Offenstadt in Nuremberg, he came to London in 1933 and founded his own publishing company in 1951 with £900 and a typewriter. His first editor was Muriel Spark. Owen published Spark as well as works by Henry Miller, Anais Nin, Hermann Hesse and half-a-dozen Nobel Prize winners. He died earlier this year, aged 89.

One of the authors Peter Owen championed was the Jewish novelist, JosephRoth (pictured), now considered one of the great Germanspea­king writers of the 20th century. Owen published four of his novels including two short works, The Antichrist and Weights and Measures, now reissued (both Peter Owen paperback, £9.95). wasoneof thefirstbo­oks Roth wrote in exile and, right from the start, has a dark, almost hysterical feel. When it was first published, reviewers didn’t know what to make of it. Was it a novel or an essay or both? There are references to Roth’s own life — the narratorse­rvesintheF­irstWorldW­ar,works as a journalist and travels to the Soviet Union —but it is hardly autobiogra­phical. is set between the Russo-Japanese warof 1904/5 and 1933. The protagonis­t, “J . R . ” , has been hired by an inscrutabl­e media mogul and travels the world. Ever y w h e r e he goes, he sees signs of decline into moral and political chaos.

He tells a dramatic love story that is strangely modern

was also first published in 1934 but is much more typical of Roth’s writing. Like so many of his novels, it is set in a small garrison town in Bosnia, on the eastern borders of the Austrian Empire. There are all the familiar features of Roth’s world: taverns, smugglers and lowlifes, soldiers and state officials, peasants and Jews (especially in one scene that is a superb evocation of the poverty and piety of east European Jewish life). The border recurs throughout the book as a central image. The main character is Anselm Eibenschut­z, a retired soldier, who is now Inspector of Weights and Measures. He is unhappily married and then he meets the exotic gypsy, Euphemia.

This is Roth at his best. He tells a love story that is full of drama and, with its sense of empty lives, also strangely modern. Above all, the book is full of fascinatin­g characters and is a masterful evocation of the Habsburg empire before the fall.

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