The Jewish Chronicle

Orchestra to abandon Nazi-era arrangemen­t

- BY LIAM HOARE VIENNA

V THE VIENNA Philharmon­ic is doing away with an arrangemen­t of Johann Strauss I’s Radetsky March, set by the Naziera composer Leopold Weninger, for its forthcomin­g New Year’s Concert.

The orchestra’s leadership confirmed the decision to the Neue Osnabrücke­r Zeitung, stating that henceforth the Philharmon­ic wanted a version of the march “unconnecte­d to the Nazi past.”

Instead, on January 1 the Vienna Philharmon­ic, led by conductor Andris Nelsons, will perform a 1914 setting of the march that researcher­s found in the orchestra’s archives.

Since 1946, the New Year Concert has closed with two encores: Johann Strauss II’s The Blue Danube and Weninger’s setting of the Radetsky March.

Weninger, born in Austria in 1879, studied compositio­n and piano in Vienna before relocating to Germany in 1909 to continue his studies.

In February 1932, he joined the Nazi party. Working within Nazi cultural organisati­ons, he became a successful composer, conductor, and arranger after Hitler assumed power in January 1933.

Weninger was behind popular arrangemen­ts of the party’s anthem, Horst-Wessel-Lied, as well as hymns dedicated to Hitler and SA paramilita­ry marches. He died in February 1940.

The New Year’s Concert itself has Nazi roots. Beginning in 1939, its programme of frothy Strauss waltzes, performed in the opulent surrounds of Vienna’s Musikverei­n, was intended to promote the Austrian capital and boost morale.

Despite its origins, the concerts continued after the war. In 1987, the Philharmon­ic was led by Herbert von Karajan, whose conducting career thrived in Nazi Germany.

 ??  ?? The Vienna Philharmon­ic
The Vienna Philharmon­ic

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