The Jewish Chronicle

The pocket dictionary that was a vital tool after Kindertran­sport

- BY LIAM HOARE VIENNA The humble book is shown in a new exhibition in Vienna

WITH ITS frayed leather cover and well-thumbed pages, it is an ordinary pocket-sized Collins German-to-English dictionary.

But for one of the last Jewish children to flee Vienna after the Nazis took power, this was a vital tool for her new life in Britain. The book, on show in a new exhibition on the Kindertran­sport, belonged to Susanne Perl.

Born Susanne Spritzer, she carried it with a ticket issued by the Central European Travel Agency stamped “child” onto the train that brought her safely out of Austria, before she eventually found a temporary new home in Edinburgh.

Hers was one of the last Kindertran­sport rescue operations before the Second World War broke out. She was one of 3,200 Jewish children whose lives were saved by the Kindertran­sport rescue effort.

She always remembered her Kindertran­sport number: 7356. She eventually settled in the United States, marrying a fellow Austrian ex-pat Otto Perl, with whom she had three children, and died last year aged 98.

Her story and those of other children who found safe harbour in Britain after 1938 are documented in a new exhibition at Vienna’s Jewish museum, Without A Home: Kindertran­sports From Vienna, which opened on Wednesday, the anniversar­y of Kristallna­cht.

What’s known in Austria as the November Pogrom began on the night of 9 November 1938. All but one of Vienna’s

26 synagogues were burnt to the ground as firemen looked on and did nothing. Jewish cemeteries, Jewishowne­d businesses, and Jewish homes were also targeted for destructio­n and “Aryanisati­on”.

Police rounded up 6,000 Jews, deporting them by the trainload to Dachau and Buchenwald concentrat­ion camps. At least 27 Jews were murdered, many more were beaten up and injured, and others took their own lives.

Kristallna­cht was the prelude to the Holocaust and the spur for the Kindertran­sport programme.

The exhibition looks at the Kindertran­sport

not only through the eyes of the children themselves but also of anguished parents and members of Vienna’s Jewish community body, the Israelitis­che Kultusgeme­inde Wien (IKG), all of whom did what they could to get Jewish children out of harm’s way.

After the Anschluss of March 1938, the IKG quickly received 10,000 applicatio­ns from parents who wanted their children to emigrate, which at the time was almost impossible.

On 10 December 1938, the first Kindertran­sport train containing 700 children left Vienna for the Hook of Holland prior to onward passage by ferry to

Harwich. Of the 3,200 Jewish children who escaped Vienna between December 1938 and August 1939, 2,400 found a home in Britain with foster families or in institutio­ns.

Carrying few personal mementos and faced with a language barrier, some children felt dislocated and alone. Their parents back in Vienna often lost contact, unsure of where their children had ended up.

Yet the exhibition is also testament to the Kindertran­sport children’s perseveran­ce and the opportunit­ies for a new, safer life afforded to them.

Hans Menasse left

Vienna aged eight and eventually settled in Dunstable, Bedfordshi­re, where he had no contact with other Austrian children and soon forgot his native language.

His footballin­g ability won him a place with Luton Town as a youth player. After the war, he returned to Austria, playing for First Vienna and earning two call-ups to the national team.

Also this week, a new memorial to commemorat­e Austrian Jews who died in the Holocaust was unveiled.

The names of more than 64,000 Jewish men, women and children who were murdered by the Nazis are inscribed on the monument, which was unveiled on Tuesday.

The Wall of Names was originally conceived more than 20 years ago by Holocaust survivor and campaigner Kurt Yakov Tutter. The project received the support of the Austrian government in 2018.

Constructi­on on the memorial in a park across from the Austrian National Bank began in the summer of 2020 and took 15 months to complete at a total cost of £4.52 million. The finished

memorial consists of 160 stone slabs — the tallest of them 7’9’’ in height —set up in an oval form around a central green space, the victims’ names etched in black upon the sandstone-coloured granite.

Vienna’s first Holocaust memorial dedicated to Jewish victims opened in 2000. Nameless Library, designed by the British artist Rachel Whiteread, is a rectangula­r library of books turned outwards with no point of access. It sits on Judenplatz across from the Jewish museum.

The Wall of Names differs from other Viennese Holocaust memorials, however, in that it remembers the Shoah not as a symbolic or collective tragedy but rather a tragedy of individual­s and families. It measures the Holocaust according to its human dimensions, each victim recorded in stone for all eternity.

Austria’s Chancellor Alexander Schallenbe­rg said The Wall of Names “gives the victims back their individual­ity, and with it, a piece of their human dignity”.

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 ?? ?? New life: Dictionary used by Susanne Perl (seated above) on show in the Kindertran­sport exhibition (top)
New life: Dictionary used by Susanne Perl (seated above) on show in the Kindertran­sport exhibition (top)
 ?? ?? Rememberin­g the dead: the newly unveiled Wall Of Names in Vienna
Rememberin­g the dead: the newly unveiled Wall Of Names in Vienna
 ?? PHOTOS: JÜDISCHES MUSEUM WIEN, BKA FOTOSERVIC­E ??
PHOTOS: JÜDISCHES MUSEUM WIEN, BKA FOTOSERVIC­E

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