The London Magazine

Sarah Westcott

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Old mother moor

is bitter – peat is the thinnest of comforts the bedrock is recalcitra­nt as teeth

moor like to throw up what she thinks are startling images hanks of hair, scout’s woggle is that the boys’ voices in the tor-wind?

she is deemed map-stuff, trespassed, plucked off oak, surly –

one moor will out-do the others with beauty also: child murders, eagles, stubbed villages, ambivalenc­e

moor is stubborn as the ovaries – a palette – reader is the make-up artiste affixing her self her endeavours slip like martens

moor takes many carcasses but doesn’t care for them as the sea does –

moor’s roots are showing can the coast fold moor and all her juices – little ghosts, the holy lost, into the wet

a saint cannot be dirty-minded

moor is filthy-rich her streams are loaded the farms are mean and desperate as moles

I only know her face by its outline

The features are scattered choicely bridge, view point, eyes too close together

and the heather is a decoy the buzzards know this – turn golden shoulders

towards the heraldry of bin lorries – moor’s name running down the side,

stake-holders talk, talk of re-creation, how to make her pay for it how to make us pay.

Poetry Prize Competitio­n 2017 Winner

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