The National (Scotland)

‘Channel 4 changing its production quota would be transforma­tional for Scotland’

- BY ADAM ROBERTSON

THE managing director of a Scottish production company has said Channel 4 changing its quota for the sector north of the Border would be “transforma­tional”.

It comes after we told of the anger from screen agencies in Scotland, Northern Ireland and Wales that Ofcom is recommendi­ng a new London quota and renewal of a 91% Channel 4 production quota for England.

That would mean just 9% is allocated to Scotland, Wales and Northern Ireland, which Scottish Culture Secretary Angus Robertson has already described as an outrage.

The National has spoken with both the director of Screen Scotland, David Smith and the managing director of Scottish production company Two Rivers Media, Alan Clements on the campaign to have the quota changed.

Smith explained that Screen Scotland is concerned about the proposals with the organisati­on previously releasing a statement alongside Northern Ireland Screen and Creative Wales.

He explains that the agencies want to see Channel 4 spend at least 16% of its annual programme budget outside of England, with 8% overall spent in Scotland.

“Both the BBC and Channel 4 are publicly owned. Both are required, through regulation, to deliver programmes that are representa­tive of the whole of the UK, and to contribute to the creative economies of all four home nations,” he explains.

“As a result, the BBC spends 16% of its annual new programme budget outside of England with half of that required to be spent in Scotland, in line with Scotland’s share of UK population.”

He added that the BBC “has met if not exceeded” this requiremen­t now for almost 15 years.

At the moment, Tory peer Baroness Stephanie Fraser is bidding to change the bill so that 8% of Channel 4’s programme budget is spent in Scotland so it’s effectivel­y treated the same as the BBC, although it’s unknown exactly when this will be put before Parliament again.

Smith explains that the Scottish screen sector is in a “much more positive place than it was pre-pandemic”.

We told last year how research conducted by Saffery Champness and Nordicity for Screen Scotland showed spending in the sector increased by 55% between 2019 and 2021. However, Smith added that growth “is not uniform” and that “while UK broadcaste­rs still provide around 50% of all sums spent on film and TV production in Scotland, we have seen a fall in levels of production for factual TV”.

He added: “The fall in TV advertisin­g revenue, the move towards online viewing and away from a linear schedule mean that most industry analysts expect to see fewer commission­s in the future, with production spent focused on bigger, more impactful projects that can compete with Netflix, Amazon Prime and Disney+ for attention.

“That’s why it is vital that right now, as Ofcom agrees the terms of Channel 4’s licence to broadcast for the 10 years to 2034, we make the case that Channel 4’s budget – raised across the UK by the monetisati­on of viewer data and ad revenues – is spent across the UK and for all the UK.”

Clements is the managing director of Two Rivers Media, a production company based in Glasgow.

Its latest project, Barbie Uncovered – which explores the creation story of the iconic brand – is set to air on March 27 on Sky Documentar­ies.

Speaking to The National, Clements said that changing the proposals to 8% for Scotland specifical­ly could be “transforma­tional”.

“You don’t come into the business to be entitled to a quota, but I think it would focus the mind of commission­ing editors who are largely based in London,” he says.

“It’s more likely a drink after a meeting where an idea is developed into a show rather than a formal pitch over Zoom and when you’re 400 miles from the centre of power, quotas can be a useful way of focusing the mind.”

He adds that creating more content in Scotland could only be a good thing for the future in terms of job creation and opportunit­ies.

“They (Channel 4) need to be thinking about the broader health of the production sector because they want a plurality of voices on their programme,” he says.

“I’ve spent more days than I care to mention on planes and trains to London. I accept that’s part of the occupation­al hazard and nobody minds that or resents it but it would be great for my kids’ generation to say they can create successful and internatio­nal careers in Scotland. It’s great if they want to go to London, that’s fine, but they shouldn’t feel obliged so they need to further their career.”

Writing on social media on Tuesday, Scotland’s Culture Secretary said that he met with Ofcom’s CEO to stress how “totally unacceptab­le” it would be for Channel 4 to secure a 91% England-only production quota.

A spokespers­on for Ofcom previously said: “We will carefully consider all responses to our consultati­on before publishing our final decision this summer.”

A spokespers­on for Channel 4 previously said: “Channel 4 is fully committed to driving growth and investment in the nations and regions and has made demonstrab­le progress over recent years.

“Whilst we of course look to ensure that our commission­ing spend benefits all three devolved nations, no commercial broadcaste­r, including Channel 4, has nominal or voluntary quota for the individual nations.

“We are fully committed to the nations and regions – our 4 All The UK strategy has introduced regional hubs, creating more than 500 roles out of London with a commitment to reach 600 by 2025; we have voluntaril­y increased our nations and regions commission­ing quota from 35% to 50%; we have worked with screen agencies across the UK to introduce bespoke commission­ing developmen­t initiative­s; we have invested millions in the nations and regions through our 4Skills programme delivering 57,000 training, learning and developmen­t opportunit­ies in 2023.

“These interventi­ons have seen Channel 4’s out-of-London commission­ing spend steadily increase over the licence period to a record £228m in 2022.”

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20 Plant branch losing brother over America (7)

24 Bonus for minor actor (5)

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 ?? ?? Screen Scotland director David Smith has expressed concern over Ofcom backing plans to renew Channel 4’s 91% production quota for England
Screen Scotland director David Smith has expressed concern over Ofcom backing plans to renew Channel 4’s 91% production quota for England
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