The Oldie

Olden Life: Who were cardigan-huggers?

- Eleanor Allen

The northern housewives of my childhood were a formidable lot. Many were cardiganhu­ggers – the figures portrayed so finely by Roy Barracloug­h and Les Dawson in the 1970s and ’80s as Cissie Braithwait­e and Ada Shufflebot­ham/sidebottom.

The cardigan-huggers had a lot to deal with. Husbands might be on the fiddle. Sons were easily led astray. Flighty daughters needed ‘keeping an eye on’; not to mention (gasp) that brazen hussy down the street, putting it about.

But the housewives themselves, legs planted firmly on the ground, rose above the swamp of local iniquity: indomitabl­e bastions of moral values and public decency.

‘Her indoors’ habitually wore a floral wraparound pinny, except on Sundays. And for popping to the corner shop or hanging the washing out, she’d shrug a woolly garment on. Of dubious design, indetermin­ate colour and age, ponging of mothballs and hand-knitted, this cardigan-type garment came in handy as a prop for demonstrat­ing moral indignatio­n, and acted as imaginary armour against the ever-lurking threat of perceived virulent corruption.

When scandalise­d by a piece of gossip, the housewife rolled her eyes with lascivious delight, yet she’d take a step backwards, signalling detachment from such filth, making space for her disgusted bosom to inflate. (Les Dawson often added a little nudge of his bosom.) Then she’d hug her cardigan tighter round her, both highlighti­ng how severely her respectabi­lity was being outraged and instinctiv­ely employing a protective, maternal gesture, inbred from the days when babies were carried inside their mothers’ shawls.

Though enormous, the northern housewife’s capacity for outrage was forgivably maternal, and laced with devastatin­g humour.

A butt of jokes, from music hall to Les Dawson, these indomitabl­e ladies neverthele­ss held serious sway. They were part of the glue that held society together. Little escaped them. In towns and villages where everybody knew everybody, their influence was mighty.

Remnants of that formidable band survived into the swinging sixties. But by then we’d discovered Elvis and the Beatles; strangers had moved into the street, and the permissive society was gathering steam.

Then along came affordable electrical home appliances and convenienc­e foods and – eureka – housewives in their droves headed for the juicier gossip-holes of the workplace. Add in TV soaps and package holidays in Spain and the old local backstreet shenanigan­s were small potatoes.

And so the cardigan-hugging upholders of public morals and decency slipped away, into the annals of history.

Or so it seemed. In fact, they’d just skipped a generation. Now they’re back with a twist. Many are young and not necessaril­y physically wearing cardigans, though mentally they’re still hugging them to virtue-signal, in the time-honoured way. These days, their ‘outrage’ is often not maternal and community-minded, but personal. They declaim stridently about their ‘issues’ on social media and directly in our faces from the telly, with concerned eyebrows and an air of smug selfsatisf­action, at pains to prove themselves more ‘woke’ and holier than thou.

‘Not another cardigan-hugger, grabbing her 15 minutes of fame!’ I groan and click them off. Their outrage is often no more than a flight of fancy. And, unlike their robust, down-to-earth predecesso­rs, they’re woefully lacking a sense of humour. They bore the pants off me.

 ??  ?? Huggable: Roy Barracloug­h and Les Dawson as Cissie and Ada, 1979
Huggable: Roy Barracloug­h and Les Dawson as Cissie and Ada, 1979

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