The Oldie

The China Journals: Ideology and Intrigue in the 1960s, by Hugh Trevor-roper

- Mark Almond

The China Journals: Ideology and Intrigue in the 1960s Hugh Trevor-roper, edited by Richard Davenport-hines Bloomsbury £25

Hugh Trevor-roper made his fortune and public reputation with his Last Days of Hitler.

His work as an MI6 officer investigat­ing what had been the dictator’s fate at the end of the war enabled him to become one of the original media dons. Then he suffered ridicule for his authentica­tion of the so-called Hitler Diaries in 1983.

One reason he fell for the hoax was that the manuscript­s of the Hitler Diaries, which he inspected, lay in a lucky place for Trevor-roper. It was in the same Swiss bank vault that he had found the diaries of Sir Edmund Backhouse

(1873-1944) – ‘The most obscene thing I had ever read,’ he told me – which formed the basis of his bestseller Hermit of Peking (1976), which exposed how much of the accepted history of lateimperi­al China had been manufactur­ed by the fantasist revealed in his diaries.

Without knowing Chinese, TrevorRope­r showed it was possible to see through an intellectu­al fraud working in that language. He had in fact visited China only once – in autumn 1965 – with a delegation under the auspices of the Society for Anglo-chinese Understand­ing. What Trevor-roper came quickly to understand about Mao’s regime and its Western admirers ensured he would not be asked back.

His diary of the visit is full of the frustratio­ns of depending on poor-quality interprete­rs translatin­g propaganda pap from repetitive Communist officials. Brainwashi­ng may have been the Maoist regime’s speciality – the Chairman told another visitor that he washed his own mind once a decade – but the mindnumbin­g propaganda was a revulsion therapy for Trevor-roper. He was in China as the Cultural Revolution’s frenzied attack on the heritage of Chinese civilisati­on was beginning.

Barely 15 years after Mao seized power, his British delegation got to meet scholars who had made their reputation­s before 1949 but were still in post – though those naïve enough to fall for Mao’s One Hundred Flowers trick to flush out critics had disappeare­d.

Trevor-roper soon worked out that the vice-president of any given institute or the vice-director of even a primary school was the Communist Party’s local representa­tive – and therefore the real boss, with an ageing and intimidate­d superior quietly avoiding the risk of saying anything interestin­g.

Trevor-roper catches the mindbendin­g boredom of being trapped in an official delegation led by the nose and prevented as far as possible from seeing anything interestin­g, and also draws out the characters of his fellow travellers. The playwright Robert Bolt is the sceptical exception to the rest of the party, who are bent on seeing the positive in every staged, ‘spontaneou­s’ encounter. The self-appointed leader of the delegation was an early queen of the quangos beginning to regulate so much of British life in the 1960s.

Mary Adams was on the board of the Council for Industrial Design, as well as sitting on the ITV authority and being a senior figure in the Consumers’ Associatio­n. She showed no interest in anything in China other than being introduced to important people, who sadly failed to recognise the Quango Queen for her worth. And an invitation to meet Mao’s Number Two, Zhou Enlai, evaporated.

Trevor-roper relished a public scandal and used this experience to expose how the Society for Anglo-chinese Understand­ing was really a front organisati­on for Mao’s regime. Mobilising a variety of Oxford dons, some with similar intelligen­ce background­s, Trevor-roper fought one of those Cold War battles that now seem so remote.

Maybe when we think how many ‘experts’ and entreprene­urs fell head over heels for the Saudi Crown Prince, Mohammed bin Salman, as a model reformer, yesteryear’s enthusiast­s for ruthless rulers such as Stalin and Mao as the hope for humanity will seem less incredible.

These diaries are as much about the forgotten world of Britain’s intellectu­al and academic élite in the Cold War as they are about China. They offer unusual light on the cultural Cold War underway in the West between fellow travellers of the Communist regimes, then apparently on the rise, and Western anti-communists of various strains.

Trevor-roper’s rare service in both MI6 and MI5 gave him intelligen­ce contacts who shared informatio­n about doubtful characters across academe and cultural life. Trevor-roper’s Oxford was also where future Cold War intelligen­ce officers such as John le Carré cut their teeth as student informers on the pro-soviet left.

All this might seem a footnote to the history of the 1960s, if it weren’t for the footnotes provided by Richard Davenport-hines. If not a book-withinthe-book, they provide a retrospect­ive counterpoi­nt to Trevor-roper’s grand themes from the mid-’60s, correcting occasional errors and misjudgeme­nts, and amplifying what he got right.

 ??  ?? Aubrey Beardsley’s Virgilius the Sorcerer (1893). From Aubrey Beardsley, edited by Stephen Calloway and Caroline Corbeau-parsons (Tate Publishing, £25). The Beardsley show at Tate Britain is suspended because of coronaviru­s
Aubrey Beardsley’s Virgilius the Sorcerer (1893). From Aubrey Beardsley, edited by Stephen Calloway and Caroline Corbeau-parsons (Tate Publishing, £25). The Beardsley show at Tate Britain is suspended because of coronaviru­s
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