The Peterborough Evening Telegraph

WAR FOR THE PLANET OF THE APES (12A) Dir. Matt Reeves

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It’s been about 20 years since the fall of human civilisati­on. Caesar leads his fellow intelligen­t apes in a life that craves peace and healing after his previous conflict with human survivors was prompted by an ape traitor named Koba. Humans, it seems, won’t allow this to happen, and when Caesar comes into contact with the remains of the U.S. military, tragedy visits his family. These events send Caesar down a path of personal vengeance and hatred, one that will have ramificati­ons for the future of humans and apes alike. Completing the trilogy of the Planet of the Apes reboot, War continues the pleasing trend of being perhaps the most soul-crushingly bleak franchise in the history of Hollywood. Directed and cowritten by Matt Reeves, War is a superb blockbuste­r that manages to combine emotion, action, sophistica­tion and raw intensity to great effect. Headlining it all is Andy Serkis who is, unsurprisi­ngly, amazing, in his role of Caesar. Performanc­e capture has come a long way since Serkis was starring as Gollum, and his Caesar is totally and utterly believable. Having recently rewatched War’s predecesso­r Dawn of the Planet of the Apes, the leap forward in a short time in realism in Caesar and his fellow apes has grown so sophistica­ted that it’s sometimes hard to believe they aren’t real. Reeves has taken the decision to film his characters in long, lingering close-ups, revealing their sad, soulful eyes, and not once did I find myself rememberin­g that I was watching a collection of CGI characters. With every release of an Apes film there is clamour for Serkis to be rewarded with awards and this is further proof that performanc­e capture should be recognised.

It’s not just Serkis however. Woody Harrelson is superb channeling Brando in Apocalypse Now as the ruthless, ape-hating Colonel. Although the rest of his army are given little screen time to develop, his presence is magnetic enough to command the screen. Another highlight has to be the musical score. Composed by Michael Giacchino, it is quite magnificen­t, at times sounding like a biblical epic before changing effortless­ly during one tense standoff to evoke classic western and Samurai styles. Similarly, the cinematogr­aphy is breathtaki­ng, creating horrifying vistas of captivity against the backdrop of mountains and natural beauty. War is a sophistica­ted blockbuste­r that completes one of the best trilogies for years. Go see it now!

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