The Press and Journal (Inverness, Highlands, and Islands)

V&A unveils its new exhibit £55m pays for extra entrance, courtyard, gallery – and pink loos

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The Victoria And Albert Museum has unveiled its new £54.5million building project – complete with men’s pink loos.

Its additional entrance, courtyard and gallery space is the Victoria And Albert Museum’s largest architectu­ral project in more than 100 years.

Both the men’s and women’s toilets at the world-famous London museum, which celebrates its 165th anniversar­y this summer, are painted pink.

Tristram Hunt, the V&A’s new director, proudly showed off the baby changing table in the men’s loos.

He said he had changed his mind over free entry to museums as he was not aware of the “economics”.

In an article in 2011, the then MP had suggested the UK Government should “begin to think about re-introducin­g charges for our national museums”.

“One week after I published that article, my neighbour now, Michael Dixon (director) of the Natural History Museum, wrote back and said the economics stack up for national museums, that the V&A has gone from 900,000 visitors when it charged to three million now, so not charging is good for us.

“The V&A, when it first opened, had a strong ethos about being open to the public so for three days a week it was open and four days a week it charged. The reason it became fully accessible was because of the suffragett­es, because the way they managed fears about the suffragett­es breaking things was to have as many people here as possible.”

Over £48million of the £54.5million project was raised from bodies such as the Monument Trust, Dr Mortimer and Theresa Sackler Foundation, Blavatnik Family Foundation, Garfield Weston Foundation, and Heritage Lottery Fund.

“Attracting donors is more of a challenge for us as a museum of decorative and applied arts than arguably in the contempora­ry arts scene,” said Mr Hunt.

The V&A’s new entrance, on Exhibition Road, leads to a courtyard paved in 100,000 handmade porcelain tiles inspired by the tradition of ceramics at the V&A.

New metal gates have been manufactur­ed with a pattern of perforatio­ns tracing the imprint of the shrapnel damage from World War II on the stonework. Letters, documents and photos that belonged to a pioneering Scottish missionary have been saved for the nation.

The collection casts fresh light on Minnie Watson, one of the founders of the Presbyteri­an Church in Kenya.

The archive gathered dust in a cupboard in Dundee for 70 years but the Church of Scotland missionary’s great niece, Paddy McFarlane, has gifted it to the National Library of Scotland.

Mrs Watson worked in the British colony between 1899 and 1931. Known as the “mother of the faith”, her legacy is the Presbyteri­an Church of East Africa, its 3.5million members and its network of schools, hospitals and universiti­es.

Teacher Mrs Watson followed fiance the Rev Thomas Watson in 1899 after he establishe­d the Scottish mission in Kikuyu near Nairobi.

When her husband died of pneumonia in 1900, Mrs Watson, the only white woman in the region, ran the mission station single-handedly for a year until the Church of Scotland took over responsibi­lity.

She also establishe­d schools in Kikuyu and campaigned against female circumcisi­on.

 ??  ?? TILED: Dancers perform at the new V&A courtyard which is paved with 100,000 handmade porcelain tiles
TILED: Dancers perform at the new V&A courtyard which is paved with 100,000 handmade porcelain tiles
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 ??  ?? Both men’s and women’s toilets are painted pink
Both men’s and women’s toilets are painted pink

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