The Scotsman

Magic of Fringe woven into tartan to mark 70th year

● Design reflects festival’s ‘bright, bold, creative spirit’

- By GEORGE MAIR

0 Shona Mccarthy, chief executive of the Edinburgh Festival Fringe Society, unveils the new tartan yesterday The Edinburgh Festival Fringe unveiled its own tartan yesterday, celebratin­g the 70th anniversar­y of the world’s largest arts festival.

The tartan pays tribute to the eight groups who performed on the fringe of the Edinburgh Internatio­nal Festival in 1947.

The special design includes a “denim blue” block with 70 threads to represent the Scottish capital and 70 years, and eight bright yellow lines

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symbolisin­g the Fringe flame ignited by the original eight groups.

When combined with the reds and greens, the colours come together to reflect “the bright, bold, creative spirit of the Fringe”.

Shona Mccarthy, chief executive of the Edinburgh Festival Fringe Society, said: “I am delighted to present the Edinburgh Festival Fringe tartan in this special year for the Fringe as we celebrate 70 years of defying the norm.

“This colourful and exciting tartan represents our extraordin­ary festival and the special design reflects the bright, bold, creative spirit of the Fringe, the wonderful historic city of Edinburgh and the eight theatre companies who ignited the Fringe flame back in 1947.”

The tartan, woven in Scotland by Ingles Buchan, was created by Scotland’s “tartan ambassador” Brian Wilton, one of the world’s leading tartan designers.

Mr Wilton said: “I am extremely proud to have contribute­d to the 70th anniversar­y celebratio­ns of such a global phenomenon as the Edinburgh Festival Fringe.

“And how appropriat­e to celebrate it with tartan – the quintessen­tial design of Scotland, the home of the world’s most exciting and unique arts festival.

“The tartan not only encapsulat­es elements of the Fringe’s history but also pays tribute to its defiant nature. It was a pleasure and an honour to be involved.”

The Fringe began when the eight groups arrived hoping to perform at the newly formed Edinburgh Internatio­nal Festival but were refused entry to the programme.

Undeterred, they went ahead and performed on the fringe of the Festival anyway.

The Fringe is now an open access festival where, in the spirit of the original eight, no one is denied entry, making it the largest platform in the world for creative freedom.

Last year, the Fringe issued nearly 2.5 million tickets for 50,266 performanc­es.

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