The Scotsman

Rain

Playhouse

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Anne Teresa De Keersmaeke­r likens Rain to a party, and it’s easy to see what she means. Groups form and scatter; dancers peel off on their own or couple up, come together in trios then move on to someone new.

And if it is a party, it’s definitely one you want an invite to.

Joy and happiness radiates from the stage throughout, as if there is nowhere else these ten dancers would rather be. Beautiful moments of tight unison aside, it sometimes feels as if these kindred spirits are simply communicat­ing their love of movement, making it up as they go along. Yet this couldn’t be further from the truth, as the coloured markings crisscross­ing the floor like a maverick gym hall demonstrat­e.

De Keersmaeke­r spent hours plotting the choreograp­hic interplay between the dancers, creating patterns of movement that feel organised yet free. But she alone is not responsibl­e for this 90 minutes of wonder – every move these talented dancers make connects to Steve Reich’s Music for 18 Musicians, a piece which twists and turns, heralding a new dance adventure with each shift in direction. All of which is illuminate­d by Jan Versweyvel­d’s exquisite lighting design, against his deceptivel­y simple but hugely effective set. KELLY APTER

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