The Scotsman

‘Horror’ pop-up house sparks architects’ anger

● RIAS agrees to changes to ‘embarrassi­ng’ structure in station

- By CHRIS GREEN

The profession­al body representi­ng Scottish architects has been accused of damaging the reputation of several well-known practices with an “embarrassi­ng” pop-up installati­on in Scotland’s busiest train station.

The Royal Incorporat­ion of Architects in Scotland (RIAS) installed the small houseshape­d structure in the main concourse of Glasgow Central Station with the aim of showcasing

ABERDEEN

the work of leading firms as part of the Festival of Architectu­re.

But the flimsy-looking result, which was originally clad in grey foam in case children bumped into it, has provoked a number of complaints from furious architects who described it as “offensive to the profession”.

The project was intended to engage the public and showcase the best houses and larger developmen­ts built in Scotland since 2000, with the tiles of the structure’s roof made up of images submitted by the winning firms.

But Helen Lucas, of Edinburgh-based Helen Lucas Architects, described the installati­on as a “horror”, tell- ing the Architects’ Journal it was a “completely embarrassi­ng representa­tion of our profession, demonstrat­ing no design, execution or constructi­on skill”.

Jude Barber, of Glasgowbas­ed Collective Architectu­re, added: “I was deeply embarrasse­d that such a poorly conceived and executed structure was being showcased in such a public way. I was furious when I realised that our studio’s work was contained within it.”

In the wake of the criticism, RIAS agreed to remove the foam cladding to improve the look of the structure.

The organisati­on’s secretary, Neil Baxter, said many of those who disliked the installati­on had seen it while it was only partially built.

“The intention was not that it should be perceived as a house,” he added.

“It is a lightbox with an angled roof. Putting the end elevations on with windows and a door and adding the wee chimney was intended to be just a bit of fun. Also it engages with the public, our intended audience.

“The public reaction has been very positive. They seem to be appreciati­ng the humour of it.”

Acknowledg­ing the criticism it had received, he said he would be writing to all the firms whose work appears on the house to ask if they would like to be removed.

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