The Scotsman

Showtime

Disneyland Paris is 25 this year and with revamped rides and new attraction­s it is putting on quite a show to celebrate.

- By Christian Sylt

Disneyland Paris celebrates 25 years of entertainm­ent

The surroundin­gs are familiar. I’m sitting in a packed theatre with plush velvet chairs. As the lights go down there’s not a murmur in the room with even the youngest children silenced by the prospect of what is to come.

The stage is dripping with detail. It resembles the inside of a magic store filled with cabinets and curios and a starry sky as the backdrop. What follows is 30 minutes of barnstormi­ng Broadway-calibre songs, magic tricks and puppets straight out of the Lion King theatre show. The twist is that the star of this production is Mickey Mouse and I’m in Disneyland Paris.

This year Disneyland Paris celebrates its 25th anniversar­y and with a wave of its magic wand it has brought many of its classic attraction­s bang up to date.

The runaway mine train hurtles through a new exploding cavern whilst the Star Wars simulator has been upgraded to 3D and features a random selection of scenes set in locations from the sci-fi movie series. The Pirates of the Caribbean boat ride now has characters from the movies in it including one which seems to magically transform into a skeleton. There’s a spectacula­r new

son et lumière show and a parade with a giant fire-breathing steam-punk dragon. No expense has been spared. The biggest surprise is the Mickey

and the Magician show at the movietheme­d Walt Disney Studios park which sits next to the fairytale-inspired flagship Disneyland Paris. The star may be a cute and cuddly rodent, who is high-tech too as his mouth now moves in time to his voice, but there’s nothing Mickey Mouse about this production.

The ornate set hides secrets such as a broomstick which appears to move on its own and a lifelike animated model of Lumière, the talking candlestic­k from Beauty and the Beast. But it’s the songs that steal the show.

Performers fill the stage to belt out Disney classics like Be Our Guest and Circle of Life which is the cue for an invasion of the giant origamisty­le animals from the Lion King stage show. Entering from hidden doors they fill the aisles whilst a giant savannah rock is moved on stage and the starry backdrop becomes

a setting sun through high-tech projection­s. Amateur dramatics this is not.

Just when you think it couldn’t surprise any more, it does. The magic in its name is far from a frivolity as the show features tricks created by Paul

Kieve who consulted on the Harry Potter and the Prisoner of Azkaban movie.

Without giving too much away, you will leave Mickey and the Magician wondering how Cinderella disappears when she is wrapped in a carpet and how a levitating box could contain a six foot singing and dancing genie. But perhaps the biggest trick of them all is how the performers manage to keep it up. There are 20 on stage with another 40 behind the scenes and unlike most West End shows Mickey and the Magician plays five times daily.

It is one of several flagship attraction­s at the Studios which can’t be found in any other Disney park. They are all up there with the best on offer at Disneyland Paris’ bigger brothers in America. The must-see is Ratatouill­e and the scene is set long before you get anywhere near

The Ratatouill­e ride, themed to the movie, is set inside a Parisian townhouse

the entrance. The ride is tucked away in the corner of a bustling Parisian square with a cartoon feel to it. The give-away is the abundance of rats. Images of rodents can be found on railings, manhole covers and even on the side of the centrepiec­e fountain.

It is in honour of Remy, star of the Oscar-winning movie Ratatouill­e about a rat who lives in Paris and loves to cook. Fittingly, the ride themed to the movie is set inside a traditiona­l Parisian townhouse and inside you get the impression that you have been shrunk down and transporte­d to its rooftop.

Donning a pair of 3D goggles you sit in a ratmobile, essentiall­y a roving simulator which can pitch and tilt independen­tly of the direction it is travelling in. This trick comes into its own soon after the ride begins and giant 3D screens show Remy being chased through a restaurant. Although the simulator cars stand still it seems as if they are hurtling through the rooftops and into a restaurant as they move in time to the on-screen action.

It doesn’t stop there as smells are pumped into the ride in time with the action. There’s a pungent odour of cheese in the kitchen and the trip through the larder is complete with scents of bread and oranges.

The most important tip to make the most of a trip to Disneyland Paris is to bring a well worn pair of shoes. Be prepared for long days but there’s a happy ending in store every night. Through technical wizardry the centrepiec­e castle becomes the backdrop for one of the most spectacula­r fireworks shows anywhere, not just in a theme park.

The show is Disney Illuminati­ons and it uses every trick in the book. The first jaw-dropping moment comes within minutes of the start as images are projected onto the castle and, thanks to an ingenious system, appear to be flat despite being beamed onto protrusion­s, balustrade­s and turrets.

One moment it looks like water is pouring out of the windows of the castle then it appears to be covered in vines before seeming to be lit up with neon signs, all in pin-sharp high definition. To give it added depth, giant fountains at the front spray a fine mist which more videos are projected onto.

It is an emotional tour de force featuring flame-throwers, lasers and fireworks launching from the castle in time to the images shown on it.

It takes place at park closing and after spending all day on your feet you won’t want to walk far to get to bed. The best of the bunch of the seven Disney hotels is the Newport Bay Club, which resembles a palatial New England coastal mansion with white clapboard walls and rooms replete with nautical trinkets.

It has been designed by the same wizards who create the theme park rides and it shows. There are deep blue carpets and mahogany abounds to give the impression that you’re on a yacht. Walls are lined with flags whilst the wooden handrails in the corridors have brass fittings. Completing the theme there are brass lamps and in-room desks formed from giant luggage cases. Fortunatel­y the fittings aren’t in-keeping with the old-fashioned theme as there are UK plug sockets, flat screen TVS and USB charging sockets.

It’s extreme escapism with enough attention to detail to keep adults interested whilst kids will love the little touches like Mickey and Donald Duck dressed in sailors’ outfits peeking from portholes drawn on the wallpaper. It’s just a few hours from Scotland but it feels like a world away.

Easyjet (0330 365 5000, easyjet.com) flies from Edinburgh to Paris Charles de Gaulle airport for around £140 return. The TGV (raileurope.com)

from the airport to Disneyland Paris takes 10 minutes and costs around £45.50 return. Three nights’ roomonly accommodat­ion at Disney’s Newport Bay Club (08448 008 898, disneyland­paris.com), including four days of park passes for two adults and two children under 17, costs around £2,000.

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 ??  ?? Fireworks and lasers feature in Disney Illuminati­ons, main; Mickey and Minnie are still stars of the show, above
Fireworks and lasers feature in Disney Illuminati­ons, main; Mickey and Minnie are still stars of the show, above
 ??  ?? The giant fire-breathing steam-punk dragon on parade
The giant fire-breathing steam-punk dragon on parade

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