The Scotsman

Flashes of brilliance

In a dystopian future Ireland, it never stops raining – and a few vivid moments are drenched in a slew of overwrough­t sentences

- Allanmassi­e @alainmas

The first definition of “whim” in Chambers English Dictionary is described as “obsolete”. Neverthele­ss it may be fairly applied to this novel by Danny Denton: “a fantastic creation of brain or hand.” Denton is an Irish writer who has previously published some short stories and, as his publishers tell us, “been awarded several bursaries and scholarshi­ps for his work”, but this is only his first novel, therefore entitled to be treated with a certain indulgence. It is certainly a “fantastic creation” and one that people who like this sort of thing will undoubtedl­y like a lot. Lisa Mcinerney, another young Irish writer whose own first novel won a couple of prizes, declares that Denton’s book is: “Stunning… a work of dancing brutality and ferocious tenderness.”

It’s a dystopian novel set in a future Ireland where it never stops raining – echoing the Ridley Scott film Blade Runner. Told through a number of voices, it tells of gangsteris­m, kidnapping, pursuit. Denton insists on the importance of story and myth, and the importance of a rich oral culture. “Stories,” he says, “grow arms and legs, and tendrils and so on… It occurred to me early on in writing this book that the singular fact of a 13-year-old boy kidnapping his own son and going on the run could end up so strange that there would be no one way to tell it… So, in piecing together the history that became a legend, and then a myth, I found myself reaching for various forms, written, spoken, seen, heard…” He is trying, he says, “to re-create an alternativ­e/fallen Ireland”.

It is in fairness that I quote what Denton says about his book, because, though I found it irritating, often boring, easier to put down than pick up again, it’s clear that he is both a serious and talented writer. Some of the descriptiv­e writing is brilliant, some of the snatches of narrative vivid, and there is much fine atmospheri­c writing. I don’t know about the “dancing brutality and ferocious tenderness”, but buried in this too long and often overwrough­t book, there is somewhere a fine novel struggling to get out.

I come back to that definition of the word “whim”, obsolete as it may be:

Some of the descriptiv­e writing is brilliant, some of the narrative vivid

“a fantastic creation of brain or hand.” Now, fantasy is a popular genre, its popularity occasioned perhaps with dissatisfa­ction with the world of our common experience. Fantasy, you may say, is written into the world of our digital age where you can invent new identities for yourself at will. In the world of fantasy, anything can happen and consistenc­y is not important; nor indeed is cause and effect. Yet even though fantasy can be illuminati­ng, it is also always escapist; it turns away from the material world of everyday reality to one in which anything can happen. The trouble is that if anything can happen, then nothing that happens matters much.

For all its intelligen­ce and brilliant pages, this novel, like so many literary novels today, takes refuge in a retreat from life; it represents a refusal, or at least a disinclina­tion to engage in adult life. It is as if common experience, which has been the stuff of novels since the 18th century, is rejected as boring, whereas in truth it is the refusal to engage with such experience which soon becomes tedious.

No doubt I am being unfair in wishing Danny Denton had written a very different sort of novel, but that wish is occasioned by the belief that he is sufficient­ly talented to write illuminati­ngly about life as it is actually lived and experience­d, instead of offering whims and whimsy.

Yet even while making this protest – even while rememberin­g that Brian Moore, that very fine Irish-canadian novelist, once said that while he admired the avant-garde, Joyce, Borges, Flann O’brien, few could do that sort of thing well, and that the novelists who last are story-tellers (which is true) – I recognise that in our age of dissatisfa­ction and makebeliev­e this novel will be read with excitement and delight by many.

 ??  ?? Danny Denton’s first novel turns away from the everyday world into an alternate Ireland where a boy is kidnapped
Danny Denton’s first novel turns away from the everyday world into an alternate Ireland where a boy is kidnapped
 ??  ?? The Earlie King & The Kid in Yellow By Danny Denton Granta, 355pp, £12.99
The Earlie King & The Kid in Yellow By Danny Denton Granta, 355pp, £12.99
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