The Scotsman

Believe the hype over these art school dance groovers

- PAUL WHITELAW

EVENT

Sacred Paws An honest-to-goodness art happening presented in conjunctio­n with the Glasgow Film Festival, this multimedia feast fused a live performanc­e from sunny-delightful Glasgow indie duo Sacred Paws with the work of artist and filmmaker Margaret Salmon.

Her latest documentar­y is Mm, a 30-minute Cinema Verite essay on the all-male motorcycle team The Berwick Bandits. It captures the meandering minutiae of life in a Scottish speedway before, during and after a race. Sacred Paws provide the musical soundtrack.

The first half of this virtually wordless film was sporadical­ly accompanie­d by alliterati­ve, impression­istic poetry delivered live by singer-guitarist Rachel Aggs.

Normally when confronted with wantonly pretentiou­s, borderline Nathan Barley-esque events such as this, my natural impulse is to run screaming from the room.

However, when Aggs and drummer Eilidh Rodgers launched into a specially commission­ed surf rock-flecked instrument­al piece accompanie­d by footage of the bikers in full-throttle flow, it suddenly made sense. It was a powerful fusion of music and the moving image.

Sacred Paws are highly adept, simpatico musicians. Their music is a fluid blend of post-punk jangle and Afrobeat. Aggs’ springy arpeggios are crystallin­e and melodic. Her voice is pure and unaffected. Rodgers’ tight, looselimbe­d rhythms are dexterous but never overly fussy.

Together they create a kind of ecstatic art school dance groove; Paul Simon’s Graceland by way of The B-52s, The Go-go’s, C86 and early REM.

As for Salmon’s film, it appears to be an opaque comment on masculinit­y and/ or the harmless pleasures of being part of a dedicated

subculture. What, really, is the point of riding round and round on motorcycle­s in front of a sparse audience consisting of friends and family members? Well, it’s fun for those involved. What more point do you need?

Following a 20-minute interval, during which the chairs and – yes – beanbags were removed from the room, Sacred Paws returned to play 0 Sacred Paws deliver a fluid blend of post-punk jangle and Afrobeat material from their debut EP Six Songs (released on Mogwai’s Rock Action label) and their Scottish Album of the Year Award-winner Strike a Match.

Accompanie­d by a bassist, second guitarist and a background montage of new 16mm visuals from Salmon, they grinned and grooved their way through this joyous celebratio­n of everything they stand for, sonically speaking.

Sacred Paws are only getting started but already they deserve every ounce of acclaim they’ve received. For once, do believe the hype.

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