The Scotsman

Django Django FIONA SHEPHERD

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SWG3, Glasgow

DJANGO DJANGO were one of the many bands around the country whose touring plans were thwarted by the first flurry of the Beast from the East but they reschedule­d with renewed intent to bring the party to this bunker-like warehouse space in an artsy industrial enclave close to the river.

It was the perfect environmen­t in which to commune with their celebrator­y stew of stomping beats, surf rock guitars, keyboard whooshes and the hypnotic effect of the calming harmony vocals. Those eclectic elements made for a distinctiv­e mix, not unlike a northern Super Furry Animals but more heavily percus- sive, with multiple drumkits in action and the occasional brandishin­g of the world’s biggest tambourine.

With the addition of swirling patterned projection­s, these Edinburgh College of Art expats put a 21st century spin on the acid happenings of the late 60s.

But just when it seemed that their set might actually be a non-stop psychedeli­c club suite spooling to infinity, the foursome took a brief breather – for their benefit as much as the audience’s – in the form of pretty piano pastoral Sundials.

Their latest album, Marble Skies, is a more wistful affair but they retain their playful spirit on stage, summoning a casbah ambience during the instrument­al Skies Over Cairo before ramping up the energy again on indie rockabilly favourite Default and the increasing­ly fevered cosmic twang of Wor. When they returned for the compulsory encore, they stuck to mellower, mantra-like territory right up to the euphoric climax of Silver Rays.

 ??  ?? Django Django put a distinctiv­e, modern spin on the acid happenings of the late 1960s
Django Django put a distinctiv­e, modern spin on the acid happenings of the late 1960s

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