The Scotsman

Anti-fascist play tops Scottish theatre awards

● Rhinoceros wins four Critics’ Awards including foremost accolade

- By LAURA PATERSON

A reworking of a classic play which tackles the rise of fascism and Nazism in Europe has come top in a national theatre awards ceremony.

Eugene Ionesco’s Rhinoceros, co-produced by the Edinburgh Internatio­nal Festival, Royal Lyceum Theatre, DOT Theatre and Istanbul internatio­nal, won four of the Critics’ Awards for Theatre in Scotland, including the foremost accolade, best production.

It also took best director (Murat Daltaban), best male performanc­e (Robert Jack) and best music and sound (Oguz Kaplangi).

Announcing the best director award at a ceremony in Perththeat­re,artscritic­mark Brown said: “The play is a powerful warning about the dangers of conformity, of a mass succumbing to a social miasma that robs us of our culture, our freedom and, ultimately,

0 Ionesco’s play is a warning about the dangers of conformity that rob us of our freedom and humanity. our humanity. The times in which we live can feel like the 1930s with the film running slightly slower. That is particular­ly true of Murat’s homeland Turkey, where freedom of thought and expression, not least the freedoms of theatremak­ers, are currently under serious threat.”

The awards included two more for the Edinburgh Internatio­nal Festival – best design and best technical presentati­on for Flight. The Royal Lyceum topped the best ensemble category for its production of The Belle’s Stratagem.

Jessica Hardwick took the best female performanc­e award for her role in Perth Theatre’s production of David Harrower’s Scottish classic Knives In Hens.

Peter Arnott’s new version of Compton Mackenzie’s The Monarch Of The Glen for Pitlochry Festival Theatre won the best new play award. The best new production for children and young people award went to Andy Cannon and Red Bridge Arts for Space Ape.

Awards co-convener Joyce Mcmillan said: “Fear, isolationi­sm and irrational kinds of group-think are increasing forces in our world, and we’re delighted that Scottish theatre – and many of our winning shows – continue to tackle these issues with such a thrilling mixture of wit, seriousnes­s and theatrical flair.

“From our most awarded production Rhinoceros, through Perth Theatre’s brilliant version of Knives In Hens, to a new form of theatre designed to bring the world’s refugee crisis within touching distance in Vox Motus’s Flight, and Peter Arnott’s richly comic yet revealing 21st century take on all the issues of land, class and identity raised in Compton Mackenzie’s The Monarch Of The Glen, these plays speak to the world we live in with real urgency, but also a strong sense of passion, poetry and fun.”

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