The Scotsman

Il Divo

Edinburgh Castle

- DAVID POLLOCK

Like a particular­ly favoured old sofa which hasn’t yet outstayed its welcome, multinatio­nal pop-opera supergroup Il Divo are comfortabl­e and relaxing,andbeforey­ouknow it they’ve been a fixture of your life for nearly 15 years.

Formed by Simon Cowell in

2004, the quartet – the Spanish Carlos Marin, the Swiss Urs Buhler, the Frenchman Sebastien Izambard and t he American David Miller – show no sign of relinquish­ing the affections of their mixedage fans, even though a new album of theirs’ no longer guarantees the same multiplati­num transatlan­tic success.

Ageing is a factor in the easy rapport the quartet have with their crowd, particular­ly in Marin’s between-song chat; his role appears to be that of the lothario of the group, with a bit of self-consciousl­y cringewort­hy seduction patter before his solo on the Spanish standard Granada, his version most influenced by that of Mario Lanza.

Yet he also talks of visiting his doctor and being told to slow down, which is the kind of conversati­on an artist makes when they’re comfortabl­e in the presence of an audience who have grown with them over the years.

Despite their somewhat stagey presentati­on as four bow-tied Pierce Brosnans with impressive lung capacity and a small troupe of backing dancers, however, the group delivered a smooth and charismati­c set which made best use of their various vocal properties together and apart, and also blended the traditiona­l and the contempora­ry in equal measure.

They bounced from John Legend’s All of Me to Elvis Presley’s Love Me Tender, taking in translated versions of Nat King Cole’s Unforgetta­ble, the Righteous Brothers’ Unchained Melody and Dolly Parton/whitney Houston’s I Will Always Love You. Despite the formal nature of the show, it was the definition of a crowdpleas­er.

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