The Scotsman

Dark Arts: Full Edinburgh Art Festival preview

- By BRIAN FERGUSON Arts Correspond­ent

A live show inspired by specimens of human remains from an anatomy museum, footage of occult rituals staged at stone circles around Scotland and pop-up performanc­es of magic inspired by the current political landscape will be staged as part of Edinburgh’s annual celebratio­n of visual art

A vast installati­on will bring to life the words of 100 poets jailed around the world as far back as the eighth century, while Syrian musicians and singers will explore the plight of refugees during the monthlong event.

The 15th annual Edinburgh Art Festival will also feature an installati­on designed to give audiences a taste of the “spectacle” created in zoo enclosures, the display of vintage Nasa photograph­s in an exhibition devoted to the space race and Moon landings, and an exploratio­n of the centuries-old symbolism of the Green Man.

The UK’S biggest annual celebratio­n of art – which runs until the end of August – will see work created for a former fire museum, an old paint store in Leith Docks, a wildlife garden, and the city’s new French Embassy headquarte­rs, as well as museums, galleries and arts centres.

Indian artist Shilpa Gupta has turned fragments of work by 100 poets from around the world who have been jailed as far back as the eighth century into a “chorus of voices” for her project.

She has suspended 100 microphone­s from 100 metal ropes which are pierced with the words of verse, which are played over the course of an hour to form an “ongoing sequence of haunting recitals”.

Ruth Ewan’s Sympatheti­c Magick project will see 16 profession­al and amateur musicians stage specially created performanc­es with a political edge at venues across the city, including the Waverley Bar and Sandy Bell’s pubs, parliament Square, the Central Library and the Filmhouse cinema.

Edinburgh University’s anatomy lecture theatre will host a site-specific performanc­e featuring visual art, astronomy and medieval music looking at the relationsh­ip people have with the bodies of others, both alive and dead.

Lucy Skaer’s The Green Man exhibition will be drawn from the university’s own archives, while Andy Cumming’s project Mythopoeia will see him explore the occult and mythology at sites like Callanish, on the Isle of Lewis.

The Ingleby Gallery’s exhibition, Jacob’s Ladder is being staged to coincide with the 50th anniversar­y of the release of Stanley Kubrick’s classic science-fiction film 2001: A Space Odyssey.

It will feature images captured on the Apollo 8 and 9 missions in the 1960s, alongside the work of contempora­ry artists like Cornelia Parker, Katie Paterson and Peter Liversidge.

The festival programme at the Jupiter Artland sculpture park includes Of Landscape Immersion,olliedook’sexplorati­on of how zoos mimic the natural habitat of animals will see audiences become “a spectacle to be observed.”

The art festival will feature a number of previously unseen exhibition­s by the late East Lothian artist, John Bellany.

Among the pop-up venues this year are the city’s former Museum of Fire, which will be playing host to Shilpa Gupta’s work, described as a powerful reflection on freedom of expression, which is one of the festival’s special commission­s this year.

It will feature fragments of poetry performed in seven different languages, including English, Arabic, Russian and Hindi, over the course of an hour.

Gupta, who has created similar work for an exhibition in Azerbaijan, said: “When you walk into the space, the 100 microphone­s suspended from the ceiling will start talking to you. They are in a state of hysteria.

“The inspiratio­n for the work comes from the time we are living in. There has been a clamping down on free speech for writers, poets and filmmakers throughout the world. The work is really about persistenc­e, the voice of the individual, and the possibilit­y of art and artists coming from a place of dreams.”

Glasgow-based artist Ruth Ewan has joined forces with London-born “Marxist magician” Ian Saville to create the Sympatheti­c Magick project, which see tricks tackling issues around capitalism and socialism “infiltrati­ng” venues and public spaces around the city.”

Edinburgh Art Festival director Sorcha Carey said: “Ruth has brought together a series of workshops for magicians and asked them to think about the things they feel passionate­ly about and if magic could change the world what would they change about it.

“They are interested in all kinds of relevant and live political issues, such as mental health and climate change. They will be developing their repertoire for their performanc­es during the festival.”

The Scottish Government is supporting the event to the tune of £140,000 via its Festivals Expo Fund.

Scottish culture secretary Fiona Hyslop said: “The Edinburgh Art Festival showcases the best of Scottish visual artists and their internatio­nal collaborat­ions to locals and overseas visitors alike.

“It is an exciting opportunit­y to enhance public engagement with contempora­ry art, while

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