The Scotsman

Graham Nash: An Intimate Evening of Songs and Stories

Perth Concert Hall JJJJ

- JAY RICHARDSON

Afforded legendary billing thanks to his time in The Hollies and various incarnatio­ns of the Crosby, Stills, Nash and Young folk-rock juggernaut, not to mention any number of classic tracks that have resonated with artists beyond his own recording, Graham Nash retains visible passion, a devoted romantic, yet also still an angry, outspoken dissident. Unwilling to pull punches in his disgusted assessment of Donald Trump, the Blackpool-born singersong­writer retains a lovehate relationsh­ip with the America he calls home.

Backed by keyboardis­t Todd Caldwell and Shane Fontayne, former guitarist for Bruce Springstee­n, the charged indignatio­n of Immigratio­n Man and

Military Madness seem as current as ever, the harmonies on the latter crystallin­e, the 76-year-old’s lead vocal undiminish­ed. There was plenty of wry reflection on David Crosby and his productive yet difficult collaborat­ions with his volatile former bandmate, but also touching mention of Joni Mitchell and her recovery from brain aneurysm, cemented with a beautiful rendition of Our House.

Though a CSN standard, Marrakesh Express retains vestiges of the psychedeli­a that created it and a hugely respectful cover of The Beatles’ A Day in the Life remained soulful right up until Fontayne’s thunderous final chord. The gentle Myself at Last is, admittedly, a little treacly. And the eco-warrior tub-thumping of Wind on the Water, with its mawkish lyrics and keening guitar, was floridly sentimenta­l. But a crowdpleas­ing encore, featuring an a cappella rendition of Buddy Holly’s Everyday and closing with the evergreen Teach Your Children brought successive standing ovations.

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