The Scotsman

Ahir Shah: Dots Monkey Barrel Comedy (Venue 515) JJJJ

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Recognisin­g comedians’ success in Edinburgh as a contest to best exploit one’s declining mental health, Ahir Shah returns with yet another superbly assured breakdown of the state of the world and his own, everpresen­t insecuriti­es.

Though he justifiabl­y detests the term “adulting”, preferring a more florid and artistic-sounding internatio­nal variation, he’s cast adrift without a relationsh­ip, and lately, without the reassuring crutch of cigarettes as well. Life was a simpler focus of survival for his Indian immigrant parents.

And Shah can’t help but look upon his father’s religious, political and romantic conviction­s with despairing jealousy.

Upsettingl­y too, for someone who barely knows his own thoughts, or perhaps is too afflicted by them, his minor fame as a performer and representa­tion of all Asians causes him considerab­le unease, though he easily bats away a journalist’s attempts to put him on the spot concerning his sometimes non-pc language. Invariably the better debater in an argument, the constant effort neverthele­ss wears him down. And he suggests society might benefit from sitting out the occasional contretemp­s. Astute and sardonical­ly sharp on the divide-and-conquer, homogenise-and-dismiss logic of white people’s comprehens­ion of most of the planet’s inhabitant­s, Shah still foreground­s his own insular self-obsession.

Depressed at how easily and convention­ally his depression is cured, he is, against the odds, considerin­g the possibilit­y of raising a family, his plan for his hypothetic­al offspring as set in stone as the practicali­ties of their arrival is not.

Pitting science against romantic spirituali­ty, he finds it wanting. And his parents’ love story runs beneath his own, casting it into stark relief, with Shah seldom missing an opportunit­y for a laugh at his own expense or his privileged generation. Tremendous­ly thoughtful, woundedly candid and self-lacerating­ly funny, Dots maintains his exceptiona­lly high standard of recent Fringe offerings.

JAY RICHARDSON

Until 25 August. Today 1:45pm

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