The Scotsman

MICHAEL PEDERSEN

- DAVID POLLOCK The applicatio­n deadline for Neu! Reekie!’s Voices Commission­s is 31 May. See www.neureekie.scot

Everyone is missing their social life, of course, but poet Michael Pedersen – who, alongside Rebel Inc founder Kevin Williamson, runs Edinburgh’s infamous spoken word, music and film gathering Neu! Reekie! – is in what he calls “the curatorial game”. Getting out in the evening is much of what he does, checking out new artists’ work for possible inclusion on Neu! Reekie! bills.

“I’m in the West End of Glasgow so the closest I’ve got to seeing a friend was when I was walking past Eugene Kelly’s house,” says Pedersen. “I got a wave out the window as he was staring out into the abyss.”

Instead he’s been working out online Neu! Reekie! broadcasts, like last month’s Edwin Morgan tribute, and setting up its Voices funding opportunit­y for poets and spoken word artists.

Of his Scotsman Session, Pedersen says: “I’ve chosen a poem from Oyster [his 2017 collection, with illustrati­ons by his friend, the late Frightened Rabbit singer Scott

Hutchison] about the time I did the Robert Louis Stevenson Fellowship at Grez-surloing in France. It was its own little capsule in time; Paris felt like it was an hour and a year away. On these residencie­s you sit at your desk, and that’s quite visually uninspirin­g, but then you go out on a long walk, and this is where all your ideas percolate through as you’re reminded there’s a world out there.”

Pedersen’s film mimics this sense of indoor and outdoor creation. He says lockdown reminds him of the isolation of a writing residency, and he’s moved the furniture around in his flat to trick himself into thinking he’s somewhere new.

Those who love his wry but delicate poetry will be interested to hear he’s working on a debut novel and a script for a prospectiv­e television series, a collaborat­ion with Scottish director Robert Mckillop (Guilt, Clique) titled Deek & Liane.

“The script is a road trip movie without the road trip,” he says, “about two lost youths in a correction­al facility in the Highlands of Scotland who break out with wild ambitions of changing the world.”

For the moment it sounds like a fantasy.

 ??  ?? 2 Pedersen’s film mimics a sense of indoor and outdoor creation
2 Pedersen’s film mimics a sense of indoor and outdoor creation

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