The Scotsman

City to confront its

- By BRIAN FERGUSON

A permanent new piece of public art reflecting Edinburgh’s part in the Caribbean slave trade and inspired by the Black Lives Matter movement is to be commission­ed for the city.

The body charged with promoting Edinburgh’s World Heritage Site is to spearhead efforts to create the new work for the city’s New Town, in recognitio­n of its many links to slavery.

Temporary works of art inspired by the Black Lives Matter movement have appeared all over Edinburgh in recent years as part of a Scotland-wide “mural trail”. The project to create a permanent artwork will be part of a shakeup by Edinburgh World Heritage into how the city’s past is promoted, taught and commemorat­ed.

Plans for the work of art were revealed by the charity’s new director, Christina Sinclair, who has pledged to ensure its work reaches far more people in BAME (Black, Asian and Minority Ethnic) communitie­s in future.

Two years ago the charity staged an exhibition in the Tron Kirk which highlighte­d the role of the slave trade in funding the city’s rapid developmen­t in the 18th century.

Months later it hosted a lecture by Scotland’s first black professor, Geoff Palmer, on how wealthy Scots owned

more slaves, more plantation­s and had a higher share of the transatlan­tic trade in plantation goods such as tobacco and sugar than England or most other European countries.

Edinburgh World Heritage was also involved in talks with Professor Palmer and the city council over the proposed new plaque which is expected to be added to the Melville Monument in St Andrew Square to reflect the fact that Henry Dundas, whose statue sits on top of the plinth, was said to have been a key figure in trying to block the abolition of the transatlan­tic slave trade.

Now it has plans to commission and lead fundraisin­g efforts for a major new work of art, although the form it will take and the exact location are being kept under wraps. Ms Sinclair said: “One of the things we’re going to be focusing on in future is enhancing our inclusive engagement, in our project work and other areas, so that it resonates with more diverse audiences. We want that to be more meaningful and more consistent.

“The questions and discussion­s in recent months are hugely important. I’m sure many people really embrace a better understand­ing of the city’s history. It’s not something to shy away from.

“It’s important that we keep the momentum going, that we take advantage of positive opportunit­ies to ensure that is represente­d in the city. The form this takes has to come from grassroots engagement.

“We believe it’s really important to acknowledg­e the varied history of Edinburgh – both positive and negative.

“We don’t support the calls for the removal of the statue of Henry Dundas. We believe it is important to acknowledg­e the past and acknowledg­e our developed understand­ing of it. We think it’s more important to retain the monument and provide new interpreta­tion.”

Asked why there had been very little recognitio­n of Edinburgh’s history of slave trading until recently, Ms Sinclair added: “I think it’s a sign of moving towards a more progressiv­e society – people are questionin­g and challengin­g more now.”

In Edinburgh’s Festival Square is a statue called African Woman and Child. Erected in 1986, it was designed to symbolise the ANC’S stand against racist oppression by South Africa’s then apartheid regime. It is a simple but powerful work of art that serves as a reminder that its victims were ordinary human beings just like us.

But it does pose a question. Why we would raise a monument against such tyranny on the other side of the world, while almost overlookin­g Scotland’s past role in the even greater evil of slavery? Now, inspired by the Black Lives Matter movement, Edinburgh World Heritage is planning to create a permanent artwork that will recognise the part played by the city in the Caribbean slave trade and the profits made from generation upon generation of the most abject human misery, torture and death.

This should help us to confront uncomforta­ble truths about this country’s often mythologis­ed history but also remind us of what can happen when we allow ourselves to be deluded by prejudice and bigotry and forget that each and every human being is, at a fundamenta­l level, worthy of equal respect.

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