The Scotsman

Television’s Sara Pascoe tries to destroy your faith in love - and it's worth hearing her out

Our latest version of a small screen heroine has decided to embark on a quest to disprove the myth of marriage, love and any chance of a happy ending, writes Iain Leggat

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Sara Pascoe invites viewers into her brain in an exploratio­n into sexual dynamics and our struggle to make sense of love in the 21st century.

The comedian opens her sitcom Out of Her Mind by declaring “my name is Sara Pascoe and I’m going to destroy your faith in love”, and whether you’re a hopeless romantic or a cynical lover it might be worth getting comfortabl­e and giving her a shot.

After hearing about her sister’s recent engagement, Sara, playing Sara Pascoe, embarks on a quest to disprove the myth of marriage, love and any chance of a happy ending in this TV show.

When Lucy shows the wedding ring Sara is left speechless, only to come to the conclusion: “What’s the point of marriage?”

Why waste your time on tr ying to fall in love and finding joy from romance when you could explain it with a simple science lesson? This is all basic biology - “it’s no more romantic than digestion and excretion”.

PREGANT

With a heavily pregnant best friend, and a winedrinki­ng, Zumba- obsessed mother, Sara is in a conundrum - why doesn’t anyone else think the same thoughts as her?

We learn the character’s cynicism, and erratic hatred of all things love actually, was born from an emotionall­y shattering moment, where she was dumped by her fiancé whilst tr ying on her wedding dress.

Attempting to simultaneo­usly solve and ruin her families and friends' situations, Sara gets caught up dealing with her emotional baggage and father issues, whilst tr ying to avoid her inevitable new found affection for romanticis­m.

The show’s crutch is Pascoe’s hectic and addictive breaking of the fourth wall. Arriving in the first episode riding a scooter and wearing a multi- coloured unitard, the creative ambition of the explainers continues to grow from episode to episode. The highlight is a felt doll stop motion flashback that’s both unnerving and nostalgic.

DISSECTING

A skill that she has honed and perfected through her stand- up shows and writing career, Pascoe is most at ease in the show when dissecting the dynamics of sexual politics directly to camera.

Adding visual elements to topics discussed in her excellentl­y crafted books, Animal and Sex, Power, Money, it’s easy to get drawn in and become fascinated whilst attempting to understand why we struggle to process break- ups, or why, like birds, humans crave more than one sexual partner.

The show gets off to a shaky start with a sluggish first episode, but picks up nicely thanks to the well picked ensemble. Fiona Button is brilliant as Pascoe’s sister, Cariad Lloyd brings snark to her role as the yogurt devouring best friend, and Juliet Stevenson brings a couple of scene stealing moments, drinking white wine whilst sprinting on her cycling machine.

Following on from a string of successful female fronted comedies on TV, ranging from Aisling Bea’s This Way Up, Phoebe Waller- Bridge’s Fleabag, and Micheala Coel’s game changing I May Destroy You, Out of Her Mind is less about self identifica­tion in the character, and more about examining our relationsh­ip with why we struggle to watch others fall in love.

It would be incorrect to look at Out of Her Mind as a wake- up call, but maybe more as the sex education lesson lots of us never had. That heartbreak is biological and, for all of us, also inevitable.

From the grim realities of modern day romance, to the instant charm of the latest series of Strictly Come Dancing ( BBC One). This year’s edition shares similariti­es with the other nation’s favourite, The Great British Bake Off.

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 ??  ?? 2 Jamie Laing is ready for anyting in Strictly. Top, Out of her Mind
2 Jamie Laing is ready for anyting in Strictly. Top, Out of her Mind
 ??  ?? 2 Hugh Laurie embraces the genre of frustratin­g political decision making in Roadkill
2 Hugh Laurie embraces the genre of frustratin­g political decision making in Roadkill

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