The Scotsman

Sharing his enthusiasm for amateur dramatics scene

- ROBERT SOFTLEY GALE JOYCE MCMILLAN

When Robert Soft ley Gale was born – in Glasgow, just 40 years ago – things went tragically wrong; his mother died giving birth to him, and he suffered damage that left him with severe cerebral palsy.

Yet as he grew up, with family in Kirkintill­o ch, it never occurred to him that he could not share their enthusiasm for the thriving local amateur dramatics scene – although he says it was always assumed, back in the 1990s, that he would be playing backstage roles in lighting or stage management, rather than actually appearing on stage.

His fascinatio­n with theatre only grew, however. Even before he graduated from Glasgow University in 2004, he had taken a year out to work with the Theatre Workshop company in Edinburgh, which was pioneering work featuring performers with disabiliti­es; and within a few years, he had become one of the the leaders of a new generation of theatre-makers with disabiliti­es working in Scotland.

With Theatre Workshop, he appeared in shows including Nothing Burns Down by Itself at the Festival Theatre, and The Threepenny Opera at the Tramway; and by the end of the decade, he was working with the National Theatre of Scotland, and regularly with Birds of Paradise, the groundbrea­king Glasgow company of which he is now artistic director. He was also emerging as a powerful activist and public speaker on the Scottish scene.

The show featured in this Scots man Session, If These Spasms Could Speak, was first seen at the Arches in 2012, and marked a major milestone in Softley Gale’s career as a writer, performer and theatre-maker. In the course of the show, he plays several different characters, including a young female wheelchair-user, and a very small woman with limited growth syndrome. In this hardhittin­g sequence, though, he adopts the character of a young man with muscular dystrophy, coping both with a condition that leads to a progressiv­e loss of muscular power, and with his painful struggles to express his gay sexuality as a disabled man.

Today, Softley Gale is an internatio­nally-recognised performer and theatre-maker, whose work has been seen across the UK and in the United States and Australia, over the past decade. In 2018, the National Theatre of Scotland’s production of his hilarious musical My Left Right Foot, about the am-dram world trying to cope with disability politics, scored a huge success on the Edinburgh Fringe and beyond; in 2019, his exquisitel­y choreograp­hed Birds of Paradise show Purposeles­s Movements featured in the Edinburgh Internatio­nal Festival.

And in the summer of 2019, after separating from his husband of many years, S oftley Gale also became the father of twin baby boys. Their mother is Pauline Cafferkey, best known as the Scottish nurse who survived Ebola; and they are raising the boys in Glasgow, as two single people who both passionate­ly wanted to be parents. The high drama of Robert Softley Gale’s remarkable creative life continues, in other words.

For more on Robert Softley Gale and Birds of Paradise, visit https://www.boptheatre.co.uk and http://www.softley.co.uk/ index.htm

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