The Scotsman

Statuesque women deserve a proper place

The spirit of Mary Wollstonec­raft is embodied by women protesting in Poland, not a naked silver statue, writes Gina Davidson

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Having a teenager studying both Higher history and modern studies has been a great outlet during the pandemic. For me anyway.

Now, rather than skulking off to his bedroom when I attempt to enlighten him about feminism, he has to listen because suffragett­es, the role of women during WWII, equality and discrimina­tion are all part of the curriculum.

The rent strikes in Glasgow in 1915 led by Mary Barbour were one area we discussed at some length, and it was a delight to be able to show him images of her statue which was unveiled a couple of years ago. Barbour was a giant among women – not literally but metaphoric­ally statuesque; taking on grasping private landlords who thought they'd raise rents for poor accommodat­ion and that, with men off fighting, the women would be an easy touch.

Her grit and determinat­ion, her sense of injustice and outrage and her leadership for many other women who faced homelessne­ss was inspiratio­nal and deserving of commemorat­ion.

There are too few statues of women in Scotland, indeed in the UK, and it's a running joke that in Edinburgh there are more of animals. So a new statue of a celebrated woman always makes the headlines. When that woman is Mary Wollstonec­raft, considered by many to be the founding mother of feminism, then the pressure to get it right is immense. However, the creation which was unveiled in London this week has caused much upset. More contempora­ry sculpture than statue, it is as far from the kind of representa­tion of Barbour (or indeed Pankhurst or Fawcett) as it’s possible to get. The figurine is small... and inexplicab­ly naked.

It takes some chutzpah for an artist briefed with creating a statue of – or even to – Wollstonec­raft to carve it without clothing. As one comedienne on Twitter put it, Wollstonec­raft was “more about the equalisati­on of men and women and less about silver tits". Reducing her to a naked “everywoman” form reduces her mind and her achievemen­ts. It's not provocativ­e either – there are too many naked female images to be found; the world, women, didn’t need another. But then reducing women to their bodies, and indeed body parts, has been something feminism has had to rail against for decades. To see the memory of the author of the Vindicatio­n of the Rights of Women made small, to be stripped of the very ideas and intellectu­alism that made her great, is incredibly sad.

Wollstonec­raft wrote that strengthen­ing the female mind by enlarging it through education would bring an end to "blind obedience”. Today there are many powerful men who cannot bear that idea and, as a result, women's rights are still under attack.

Just look at Poland where men are asserting their rights over women's bodies once again, banning abortion. The move has provoked thousands of disobedien­t women to take to the streets in protest. They have the spirit of Wollstonec­raft with them.

A note has now been placed at the foot of the new sculpture – “Hey everywoman, put on a vest and find some strong boots, there's work to do”. Barbour, Wollstonec­raft and so many women never to be commemorat­ed in statueform would surely agree.

 ??  ??
 ??  ?? 0 There were no complaints about this representa­tion of Mary Barbour when her statue was unveiled
0 There were no complaints about this representa­tion of Mary Barbour when her statue was unveiled

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