The Scotsman

‘We try to live our lives in a reuse world as much as we can’

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As well as running Beauty Kitchen, a cosmetics business with sustainabi­lity at its core, Jo Chidley, and her husband Stuart have built a home that reflects their environmen­tal ethos.

They built their ecohome in the North Lanarkshir­e village of Overtown in the Clyde Valley in 2010. Chidley says: “I’m a bit of a nerd when it comes to sustainabi­lity. I have long been a fangirl of William Mcdonough and Michael Braungart who wrote Cradle to Cradle: Remaking the Way We Make Things. I became fascinated with how you could create something that would use no energy, or only renewable energy.”

The couple set out to create something as close to a “passive house” – a highly energy efficient building – as they possibly could.

Their ambition wasn’t without its problems. Chidley says: “We live on farmland in North Lanarkshir­e Council [area] and we would have had to use slate tiles on our roof. We challenged that as we wanted a material that looked like slate but was made out of old tyres to be sustainabl­e. The council had never heard of this before, but agreed to it.”

Other features include ground source and air source heat pumps, and a new thermal flow boiler that works on Scottish Power’s overnight economy schedule. Chidley says: “We try to live our lives in a ‘reuse world’ as much as we can – we put in a second hand kitchen from a house in Belgravia in London.”

The house also reflects Chidley’s love of “The Glasgow Four” – Charles Rennie Mackintosh and his contempora­ries. “Our staircase is a recreation of one that Mackintosh did with his wife. It’s made of pine, but painted black to look more Mackintosh.”

She adds: “Before this house I had moved 33 times in my life, but we will never move again if we don’t have to.”

 ??  ?? Jo and Stuart’s home is hugely energy efficient – and a reflection of their love of Charles Rennie
Mackintosh’s style
Jo and Stuart’s home is hugely energy efficient – and a reflection of their love of Charles Rennie Mackintosh’s style

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