The Scotsman

Wrangle over valuable art uncovered in nightclub of Cypriot ghost town

- By MENELAOS HADJICOSTI­S newsdeskts@scotsman.com

A valuable artwork by Cyprus's most avant-garde artist of the 1960s has been rediscover­ed after lying hidden in the undergroun­d recesses of a nightclub.

The rare concrete relief by Christofor­os Savva features abstract figures of naked women gyrating to the rhythms of a five-piece band and shocked many people almost 60 years ago when they saw it for the first time on the walls of the Perroquet nightclub.

The club is in the abandoned ghost town of Varosha, which has been under Turkish military control since a 1974 war ethnically split the island nation. But with Varosha's controvers­ial partial opening last November, the artwork has come to light following a report by local newspaper Politis.

Now the man who says he commission­ed the art from Savva is asking authoritie­s for help to have it removed and taken to the country's national gallery for all to see.

Former Perroquet owner Avgerinos Nikitas, 93, a Greek Cypriot, has appealed to a committee composed of Greek and Turkish Cypriots that is tasked with protecting Cyprus's cultural treasures to help remove the 13 sections.

"In return, I pledge to cede these pieces to the National Collection as a small contributi­on to Christofor­os Savva's huge body of work," Nikitas said in a letter to the committee.

But the venture could be derailed as the Greek Cypriot family that owns the Esperia Tower hotel that hosted the Perroquet insist that the artwork belongs to them.

They say they will not allow their "private property" to be removed.

Speaking on behalf of his family, Panayiotis Constantin­ou said their lawyer has advised them that the hotel, the club and everything inside it belongs to them.

"We respect and value culture, but this is private property about which we haven't been asked anything about removing it, and on top of that, someone else lays claim to it," Mr Constantin­ou said.

Art historians credit Savva as one of the most influentia­l artists of the time who brought the country's inward-looking, traditiona­list art world into modernity in the years immediatel­y after Cyprus gained independen­ce from British rule in 1960.

A painter and sculptor, Savva shifted away from the establishe­d, representa­tional art styles by encompassi­ng influences such as cubism, which he picked up during his stays in London and Paris through the 1950s, into his voluminous artwork.

He died in 1968. "Savva was an innovator who always sought to break new ground and challenge the conservati­ve times in which he lived," said Andre Zivanari, director of the Point Centre for Contempora­ry Art.

Savva's work reflected the joie de vivre of Varosha, which at the time was Cyprus's most progressiv­e, popular tourist resort, a favourite with visitors from Europe and beyond, said Yiannis Toumazis, an art history professor and a Greek Cypriot member of the committee on culture.

That all changed in the summer of 1974 when Turkey invaded following a coup by supporters of union with Greece.

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