The Scotsman

Goya's visions of hell redeemed by a poetic light

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Short stories - a form so underappre­ciated and yet so rich. If the novel is a long tall drink, short stories are a shot: potent, heady and quick to get the party started. Occasional­ly they take you to unexpected places.

My book of the week is the debut collection Dark Neighbourh­ood by Vanessa Onwuemezi (another gem from small press Fitzcarral­do Editions), a confidentl­y surreal set of tales about families, private agonies, bodies, life and death, taking place in worlds a little familiar and a little fanciful.

We meet the characters of Dark Neighbourh­ood fighting mentally and physically against the claustroph­obic situations they’re mired in. Fate is not always on their side. More than once as I read, my mind flitted to Goya’s paintings of hell But what might be bleak and nihilistic thematical­ly is lifted by the vivid kinetic energy of Onwuezemi’s imagery.

In ‘Cuba’, a story about women battling their nightmaris­h hotel cleaning job with its sprawling rotas (and more besides), a man “shoves the dog hard with his foot and it falls over, feet skitting across the brick with eyes rolling like oranges falling to the ground, or the roll of her father’s fists when he was starting a fight, moustache a lump of charcoal crackling under his nose".

In The Growing State, a naturalbor­n winner grapples with his successes, his regrets and the unavoidabl­e march of time. His daughter, now a mother herself, tells him: “You have a baby, then you see death emerging from the dark inside of your mouth. It was in you all along. I didn’t see that coming, no no.”

The titular story explains it’s “impossible to avoid [Dark Neighbourh­oods], only know that you’re in one when it’s dark – forward, sideways and back.”

Onwuezemi’s poetic skills shine here, reminiscen­t of the fizz of fellow short story writer Eley Williams’ work. I am not convinced, though, that the poetic typesettin­g, with its frequent tendency to leave gaps of emphasis before words, is altogether necessary (fortunatel­y, it’s only marginally distractin­g).

But still, Dark Neighbourh­ood has arrived with a bang.

It’s Gothic and mesmerisin­g, but not so fantastica­l that the struggles within don’t have a fearful glint of familiarit­y, making for a chilling, lush autumnal read.

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