Barrowland and beyond as bands spread their wings

Groups are capitalising on their popularity by staging their own DIY events across the country

Icould not quite believe it is more than 20 years since Glasgow’s Celtic Connections festival took the bold gamble of expanding to the Barrowland Ballroom.

My recollection of that marathon night was that it did not quite click.

The famously raucous atmosphere seemed diluted by the number of acts that came and went throughout the night, and the sound quality was patchy.

Celtic Connections has since returned to Barrowland on many memorable occasions, but never with as many as four concerts in the one programme, as it has this year.

This would have been a remarkable enough achievement before the pandemic, but is even more so given industry-wide trends for reduced audiences, later booking and the impact of the cost of living crisis.

Celtic Connections regulars who have left it late to book up are trawling through its listings seeking out lesserknown alternatives, which will mean bumper audiences for the many emerging acts.

But the story of Celtic Connections’ undoubted success since its launch exactly 30 years and its apparent dramatic recovery from two years of Covid disruption, cannot be seen in isolation. Although it was the catalyst, Celtic Connections is part of a hugely-expanded landscape of traditional music events which reaches into most corners of Scotland.

Fans can choose from an array of festivals running from late spring to early autumn, while many of acts regularly championed at Celtic Connections are in such demand they can now regularly tour around Scotland – if they are not performing overseas.

An intriguing new trend is for musicians and bands to launch their own large-scale green-field events.

Skerryvore, Manran, Skipinnish, Tide Lines, Peat & Diesel and Elephant Sessions are among those who have been propelling the trad music scene to hitherto unscaled heights with increasingly ambitious projects.

As for the Barrowlands, it is remarkable that there are at least a dozen trad acts that could comfortably sell out a night there – outwith Celtic Connections.

I would never have predicted that an event like Hoolie at the Hydro, which returned to the Glasgow arena in December, would have sold 10,000 tickets in its second year.

Despite the enormous popularity of so many trad music acts, there will still be plenty of people in and around Glasgow who are blissfully unaware of the thriving scene. The next two-and-a-half weeks is the perfect time to embark on a journey of discovery.