The Scotsman

Trainee creates digital death mask of Mary, Queen of Scots

- George Mair scotsman.com

A digital 3D model of Mary, Queen of Scots’ death mask has been created to mark yesterday’s 437th anniversar­y of the monarch’s execution.

Mary was beheaded in Fotheringh­ay Castle in Northampto­nshire on 8 February 1587, for conspiring against her cousin Queen Elizabeth I.

The digital death mask was created by Historic Environmen­t Scotland (HES) from a plaster cast in its collection, taken from Mary’s tomb effigy in Westminste­r Abbey.

It was created through photogramm­etry, involving hundreds of overlappin­g high-resolution photograph­s being taken around the object and then analysed by software to work out their relative position.

HES said the digital documentat­ion of historic sites and objects was “fundamenta­lly changing the way we interact with history”.

Yueqian Wang, a digital innovation trainee, who created the model as part of her training at HES, said: “Creating this model was hugely interestin­g but also challengin­g because I had to find ways to work round the metallic reflection­s and shadows captured in the photograph­y, and make sure I was happy at each stage with what the software generated.

“I’ve always been interested in sharing stories from history with a wider audience as well as the practical side of heritage conservati­on.

“Digital Innovation is a perfect approach to work in both areas – I can share stories of the heritage object with more people by creating digital models, as well as supporting conservati­on experts by collecting detailed 3D data sets.”

Mary Stuart was born at Linlithgow Palace in 1542, the only legitimate child of King James V.

She became Queen of Scots at only six days old following the death of her father, but spent most of her childhood in France while Scotland was ruled by regents.

Mary returned to Scotland in 1561 not long after the death of her first husband, Francis II, and married Henry Stuart, Lord Darnley, who was murdered in 1567.

She later married the main suspect, James Hepburn, Earl of Bothwell, but was imprisoned and forced to give up her crown in favour of her oneyear-old son, James VI.

She fled to England to find the protection of her cousin, Queen Elizabeth I, but was confined in various castles for 19 years before being beheaded for allegedly conspiring against Elizabeth.

Death masks are a mould taken of an individual’s face after death and have been made by different cultures across the world for thousands of years.

Usually, masks would be created by taking a cast or impression of the deceased’s face which could then be used as a mould to create the final mask, often in wax or plaster.

It is thought that up to four death masks were cast from Mary’s face shortly after her execution. The mask in the HES collection, however, is a plaster cast taken from her tomb effigy in Westminste­r Abbey, where she was buried in 1612 on the orders of her only son, King James VI and I.

Creating this model was hugely interestin­g but also challengin­g Yueqian Wang

 ?? ?? Yueqian Wang with the digital 3D model of Mary Queen of Scots’ death mask she created at Historic Environmen­t Scotland's conservati­on centre at the Engine Shed in Stirling, just a mile or so from where the queen was crowned in the Chapel Royal at Stirling Castle on 9 September 1543
Yueqian Wang with the digital 3D model of Mary Queen of Scots’ death mask she created at Historic Environmen­t Scotland's conservati­on centre at the Engine Shed in Stirling, just a mile or so from where the queen was crowned in the Chapel Royal at Stirling Castle on 9 September 1543

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