The Scotsman

Tapestry honours magnificen­t Edinburgh Seven

- Brian Ferguson Arts & Culture Correspond­ent

They were the trailblazi­ng young women who went into battle in Scotland’s capital 155 years ago for their right to study medicine.

Now the edinburgh seven, the first female students to matriculat­e anywhere in the UK, are to be honoured in the city' s historic royal infirmary building as part of its multi-million pound transforma­tion.

Artist Christine Borland has joined forces with the city's Dovecot Studios gallery to create a three-part tapestry work, which will go on permanent display in the new Edinburgh Futures Institute, which has been created in the old ERI building on Lauriston Place, in memory of the Edinburgh Seven.

It took seven weavers more than 4,000 hours to create the “triptych” designed by Borland, with around 90,500m of yarn at the tapestry studio, which dates back to 1912.

Ayrshire-born Borland, who was commission­ed by Dovecot Studios, studied at Glasgow School of art and the university of Ulster, in Belfast.

Much of her work has been inspired by forensic science, the history of medicine, medical ethics and human genetics. She used motion-capture technology to record the movement of cloth in acts associated with medical training and research as part of her work on the tapestry project.

The young women being honoured in the work – Sophia Jexblake, Isabel Thorne, Edith Pechey, Matilda Chaplin, Helen Evans, mary anderson and emilyBove ll–were brought togetherby an article in the scots man in 1869 that encouraged women to apply to study medicine in Edinburgh.

The piece had been inspired by a successful applicatio­n by Jexblake, who later wrote a number of articles anonymousl­y for The Scotsman, to study medicine at the university, only for the decision to be overturned by an appeal to the university court on the grounds that staging a separate class for just one woman would be too difficult and expensive.

The Edinburgh Seven faced constant discrimina­tion from the university’s medical establishm­ent and their fellow students, who rioted outside one of their exams, and were effectivel­y prevented from graduating. However, their efforts led to the introducti­on of legislatio­n in 1876 which allowed women to both join the medical profession and go to university in the UK.

The edinburgh seven were virtually unrecognis­ed in the city until a plaque was erected at the university in 2015. the city’ s first female undergradu­ates were finally awarded posthumous degrees by the university four years later.

The work designed byborl and is on temporary display at the V& a in london before going on display this summer at the edinburgh Futures Institute.

Dovecot Studios director Celia Joicey said: “The Edinburgh Seven commission showcases tapestry as a contempora­ry art medium capable of expressing complex ideas in aesthetic form.”

Borland said: “It’s been a privilege to work with the Dovecot team to experiment at the boundaries of contempora­ry tapestry. As an entirely handbased process, tapestry weaving is a performati­ve medium.”

A privilege to work with the Dovecot team Christine Borland

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 ?? ?? Clockwise from main: Artist Christine Borland’s Tapestry, will be going on display at the new Edinburgh Futures Institute this summer; Sophia Jex-blake; Seven Edinburgh students who collected the posthumous degrees
Clockwise from main: Artist Christine Borland’s Tapestry, will be going on display at the new Edinburgh Futures Institute this summer; Sophia Jex-blake; Seven Edinburgh students who collected the posthumous degrees

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