The Scotsman

Guitar man goes back to basics

- Fiona Shepherd

Slash

Hydro, Glasgow

★★★

Iconic guitar man Slash was last seen in Glasgow saving the day at the Guns N Roses show in Bellahoust­on Park while his old buddy Axl Rose walked a tightrope between charming and cringewort­hy. When he heads out under his own name, his wingman is Alter Bridge singer Myles Kennedy, an effortless rock vocalist but not much of a ringmaster.

“I can’t hear you,” he tells the crowd in cursory frontman fashion. The crowd could make the same criticism of him but when the classic rock clamour of his band The Conspirato­rs was sufficient­ly pared back, Kennedy demonstrat­ed his musical chops.

Slash solo is a back-to-basics affair with negligible stagecraft. Of course, the main man poured his energies into a succession of varied solos on a carousel of guitars and broke out the occasional hop, skip and duck walk, but there was an overall diffidence to the performanc­e until bassist Todd Kerns stepped forward to helm a cover of Lenny Kravitz’s Always on the Run with the dumb, infectious enthusiasm of the committed rock rabble rouser. In general, the looser and more low-slung the tunes the better. The garagey Halo rolled as well as rocked, catchy jam Actions Speak Louder Than Words even swung a little and Kerns was great company once more on the irreverent punky thrash of Doctor Alibi.

There were softer highlights too, particular­ly Starlight which opened with a soulful melodic Slash solo and proceeded with Kennedy delivering his finest rhythm ’n’ blues vocal before, rather bizarrely, dedicating Fill My World to pets, encouragin­g the audience to hold up phone pics of their furry (or, in Slash’s case, scaly) friends.

Almost two hours in, the encore demonstrat­ed the wild diversity of the show with Slash covering Elton John’s Rocket Man on pedal steel then laying waste with the arpeggio action of Anastasia.

 ?? ?? Slash: Negligible stagecraft
Slash: Negligible stagecraft

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