The Scottish Mail on Sunday

Two fingers to Winston

...that, say historians, is the message delivered by a major new biopic which grotesquel­y traduces our greatest PM

- by Chris Hastings ARTS CORRESPOND­ENT

HE IS Britain’s most celebrated wartime leader, revered for guiding the country through the darkest days of the Second World War and on to victory. But a controvers­ial new biopic of Winston Churchill has been condemned as a vicious character assassinat­ion – and a ‘hatchet job’ worthy of Hitler’s propaganda machine.

The film, Churchill, stars Dundeeborn Brian Cox as the PM and Miranda Richardson as his wife Clemmie and charts events leading up to D-Day, the Allied invasion of Europe that began on June 6, 1944.

It has sparked uproar by suggesting that a petulant, rude, ill-tempered Churchill opposed the landings that led ultimately to the liberation of Europe.

Historian Andrew Roberts, who is writing a new biography of Churchill, said: ‘The movie is a catalogue of errors which paints an entirely false picture of Churchill. I can’t recall another occasion where a single film has got so much wrong. It’s a hatchet job of the kind the Nazi propaganda machine would have been proud.’

And the visiting professor at the War Studies Department at King’s College, London, quipped: ‘Never in the course of movie-making have so many specious errors been made in so long a film by so few writers.’

Tory MP Nicholas Soames, Churchill’s grandson, also dismissed the film, saying: ‘It’s not something one would take seriously.’

The criticism may prove embarrassi­ng for the film’s scriptwrit­er Alex von Tunzelmann.

The London-based Oxford-educated historian writes an occasional column for The Guardian newspaper called Reel History, in which she highlights the way Hollywood distorts historical fact. She was unavailabl­e for comment.

A spokesman for film distributo­rs Lionsgate UK said: ‘It has been made with a sympatheti­c view to intrigue audiences into finding out who Churchill is and to explore more into his life behind closed doors.’

Here, after seeing a preview, Roberts lists a series of basic and serious errors in the film…

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