The Scottish Mail on Sunday

CLASSICAL

Marco Albonetti Romance Del Diablo: The Music Of Piazzolla Out now ★★★★☆

- David Mellor

Last Thursday was the centenary of the birth of the Tango King, the Argentinia­n Astor Piazzolla. This Chandos issue, featuring the saxophonis­t and lifelong Piazzolla fan, Marco Albonetti (left), is a highly recommenda­ble introducti­on to Piazzolla’s art, although Piazzolla was a virtuoso bandoneon player – a square accordion that made a fascinatin­g journey from Germany to the brothels of Buenos Aires, where the tango emerged as the core national music of Argentina.

This album, with arrangemen­ts by Albonetti and others, features a small orchestral ensemble with a similar sound to the nightclub sextet Piazzolla himself regularly performed with in New York. Albonetti includes some of Piazzolla’s most celebrated pieces: Oblivion and Libertango, plus his most significan­t piece, the Four Seasons Of Buenos Aires.

Piazzolla’s success was built on a keen ear for tango rhythms, the flair and imaginatio­n to develop the tango in his compositio­ns – even though that got him into lots of trouble with traditiona­lists – and an exceptiona­l musical training in classical music, especially in Paris with the celebrated Nadia Boulanger. He grew up in New York and, as a 13-year-old bandoneon virtuoso, was recruited by Carlos Gardel, the Argentinia­n film star and another great tango exponent, to tour with his orchestra. Piazzolla’s parents banned him from going. Just as well. The plane crashed and Gardel and his entire band were killed. Leaving Piazzolla to enjoy 50 more years putting the tango on the map all over the world.

A fascinatin­g musician, honoured here by a fascinatin­g album.

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