MY NEIGHBOURHOOD
THE LINCOLNSHIRE MARKET TOWN PROVIDES COMMUNITY – AND INSPIRATION – FOR TEXTILE DESIGNER NICOLA CLIFFE
“WILLIAM MORRIS IS A GREAT INFLUENCE ON ME, ESPECIALLY HIS USE OF NATURAL DYES”
This handsome Arts and Crafts house near the centre of an agreeable market town, feels like exactly the right place to find sustainable textile designer Nicola Cliffe. The mullioned windows are framed with curtains and blinds made from her own fabric, and her cushions and lampshades are scattered artfully about on solid wooden furniture. At the end of a garden lined with pleached hornbeams, is a purpose-built studio where she hand-screenprints fabric for her company Madder Cutch & Co. It all feels very William Morris.
“William Morris is a great influence on me,” she confirms. “Especially his use of natural dyes and the way his designs drew their inspiration from nature.” The natural world is all around her in
Stamford; a short walk takes her and Ernie, her lively Parson Russell terrier, to The Meadows, a lush patch of greenery beside the River Welland, which flows through the centre of town. The names of her fabric designs – ‘Achillea’, ‘Clover Seed’, ‘Creeping Ivy’ and ‘Blossom’ – directly reflect what she sees on their morning dog walks and daily in her own garden.
Nicola knows Stamford well: she grew up nearby and, after a sojourn in Derbyshire, moved back with her husband Jonathan and her three sons, George, Ted and Bertie.
When her job as a chemistry teacher in a local school ended in 2012, she finally had a chance to realise a long-cherished dream: to pursue a creative career. “When I was teaching, I kept my dream alive by painting and drawing,” she says.
“BECAUSE THERE ARE SO MANY SMALL BUSINESSES, WE ALL HELP EACH OTHER”
“My knowledge of chemistry also helped me understand the dyeing process.”
A year studying Sustainable Textile Design at Chelsea College of Art and Design set her on her new path, which was obviously the right one to follow as her business immediately blossomed. “Because I left it so late, I feel there is little time to waste,” she says. “I’m keen to get on with it!”
Appalled by the environmental and health dangers of synthetic dyes, she chose to use only dyes made from plant extracts. The name of her company reflects this: ‘madder’ and ‘cutch’ are two of the colours she uses (madder is red; cutch is reddish brown). She only prints on linen because it is one of the most sustainable fabrics. Keen to spread the word, she also holds screenprinting and indigo dyeing workshops in her studio. Fittingly, a woad plant flourishes in a galvanised container outside.
Stamford has proved to be a supportive place to start a creative business. “It’s a really friendly community,” she says, “and because there are so many small businesses, we all help each other when we can.” One example is her favourite café, The Fine Food Store, where she stops for coffee post dog walk, and which is now furnished with curtains made from her Achillea leaf fabric. Nicola has also designed a Stamford cushion – an artistic interpretation of the town’s buildings and leafiness – which is sold in local store, Chez Soi. You get the feeling William Morris would approve.
For more information and for details of Nicola’s workshops, maddercutchandco.com.