The Sunday Post (Dundee)

The train now arriving at platform nine is bringing some glamour to the oddest Oscars ever

- P.S. columnist Ross King

In the golden age of Hollywood, the world’s biggest stars arrived in Tinsel Town at Union Station.

Movie idols like Gloria Swanson would step off the train to a flurry of flashbulbs from the waiting paparazzi, and the station – built in 1939 – soon became a star in its own right, appearing in more than 150 films and TV shows and receiving admiration as one of the city’s greatest architectu­ral gems.

This evening, the rail hub in downtown Los Angeles will once again play host to some of cinema’s biggest names, when an Oscars ceremony unlike any other comes live from the historic station.

The majority of this evening’s 93rd Academy Awards will take place in its grand waiting room and historic ticketing hall, an 11,200 sq ft space with vaulted ceilings and tree-filled outdoor patios, making it a perfect location for social distancing – although attendance is capped at 170 people.

Oscar-winning director Steven Soderbergh is helming the show, and has created intrigue by stating it will play out like a movie concept rather than a traditiona­l awards programme. Previous awards shows during the pandemic, such as the Golden Globes and Grammys, have suffered from low ratings and technical issues, and the Academy is keen to buck the trend.

Despite the guarantee of A-listers in attendance, a promise of Zoom call acceptance speeches being a last resort, and a new concept and venue, La-based showbusine­ss correspond­ent and

P.S. columnist Ross King believes viewers might still be reluctant to join Oscar. “It’s all very different this year and it will probably have the lowest viewing figures ever,” said Ross. “It’s been a strange week here – no Bafta tea parties, no British Consul General parties to welcome British nominees, no real gifting suites and no in-person interviews. “The whole of Hollywood seems dead compared to how it normally is, when there are street closures all around the Dolby Theatre and crews from all over the world in attendance. “There will be very low-key and small viewing parties around town, but with a minimal amount of people.” The Dolby Theatre, which has hosted the Oscars for the past 19 years, will still have some involvemen­t in the ceremony, and there will also be internatio­nal hubs – including one in London – for nominees who are unable to travel to LA due to the current restrictio­ns.

Stars will not be required to wear face masks on camera but will be asked to cover up during advert breaks. Ocean’s 11 and Erin Brockovich film-maker Soderbergh, who won the best director Oscar for Traffic in 2000, has said masks will play “a very important role in the story” that he is weaving into the show, adding that the topic “is central to the narrative”.

Ross said: “Hopefully the producers will have learned from some appalling awards shows this year, although I felt the Grammys was the best. The Oscars will fill the night with big stars, such as Harrison Ford, Brad Pitt and Reese Witherspoo­n.

“Steven Soderbergh says it will play out like a movie concept and the ceremony’s presenters are the cast who will play themselves, or versions of themselves.”

In a further break from tradition, the five best original song nominees will not be part of the main ceremony and will instead feature in the 90-minute pre-show Oscars: Into The Spotlight.

British Oscar nominees include Daniel Kaluuya, Sir Anthony Hopkins, Carey Mulligan, Olivia Colman, Riz Ahmed and Gary Oldman.

Who should win and who will win

Read Ross King in P.S. magazine

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