Trapped behind a glass wall: Victims’ fight to be heard in Scotland’s courts is revealed in stunning artwork
The harrowing courtroom experiences of domestic abuse survivors’ are revealed in stained glass panel unveiled at Scottish Parliament
It is a striking work of art, an intricate design of colour and glass. It is also, however, a powerful and moving symbol of how women, victims of domestic violence, have struggled to be heard in Scotland’s justice system. The stained glass panel, which was unveiled at the Scottish Parliament on Wednesday, charts women’s journey through the court system and their battle for justice.
It is the centrepiece of an artwork created by award- winning Glasgowbased artist Brian Waugh and survivors of domestic abuse.
Images and words etched onto glass panels on light boxes include real quotes from women about their experience of the court system.
The project was the idea of principal procurator fiscal depute Emma Forbes, whose PHD thesis explored survivors’ experiences of the court process. She said: “Overwhelmingly, the women told me they hadn’t felt heard in that process.
“I wanted to do something to translate the findings to a wider audience so that their words were heard.”
Dr Forbes created a community art project raising awareness of domestic abuse called Glasswalls.
She said: “The women told me that going to court and giving evidence was like being behind a glass wall. “Scotland rightly should be very proud of its response in law and policy to domestic abuse.
“In the 1970s domestic abuse was behind closed doors and we didn’t acknowledge it was happening. “Now in Scotland it is publicly condemned by society and recognised as a criminal offence. “Ye t when women go to court to give evidence they often don’t feel heard,” she added.
“If they are encouraged to come forward and speak in a public forum but feel not heard, it is like a barrier – or glass wall – because it is seemingly invisible to others.”
The Glasswalls project saw members of the Daisy Project, a Castlemilk-based charity which provides support and advocacy for victims of domestic abuse, learn how to make stained glass panel in weekly art classes.
The group was led by artist Brian and together they have created a triptych representing women’s experiences of the justice system.
The first panel includes comments from Dr Forbes’s research, including “Why can’t I be believed?” and “My word isnae actually enough for what he has done to me over the years.”
A second panel will depict the opening of the Scottish Parliament, a multi-agency response to domestic abuse and more responsive policing.
The third panel will show a woman l ooking for ward, a more empathic judge and greater transparency in the court process.
One member of the group, Louise, said: “It has been really empowering. We’ve had the opportunity to support each other, to build friendships, to conquer triggers and to have thoughts and feelings validated by what we have been doing with the glass art work. We have become a family.”
She added: “Before many people could read and write, stories were often told on stained glass windows.
“It seemed poignant that while our words weren’t be heard, we could tell our stories in pictures.”
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When women go to court to give evidence they don’t feel heard
Another member of the group, Christine, said: “It has been emotional to tell our stories through art. It has given us a sense of purpose, and hopefully through telling our stories it will help others.”
The art installation was praised in a debate by MSPS at the Scottish Parliament on Wednesday.
Rona Mackay, who is the co- convener of the cross- party group on men’s violence against women and children, said: “I am sure that I speak for everyone in the chamber and everyone watching when I say, we do believe you, and your word is enough.”
The artwork will be on display at Glasgow City Council chambers this week.
It will go on permanent display next year with updates at www.glasswallsart.com